Skip to main content
Monthly Archives

July 2015

Suzanne Vega’s Israel “Horizon”

“I feel a kind of soulfulness from the people of Israel,” Singer-Songwriter Suzanne Vega said. “There is always a warm electricity in the air.”

Vega, the American folk performer, internationally known since her 1987 hit singles “Luka” and “Tom’s Diner,” recently performed in Tel Aviv in support of her eighth studio album, “Tales from the Realm of the Queen of Pentacles” as well as with the Israel Philharmonic Orchestra, marking her fifth time performing in Israel.

“I’ve always been warmly embraced in Israel, from the release of my first album,” Vega told Creative Community for Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace. “I came this time because I really wanted to play with the Israel Philharmonic Orchestra. I felt it was important for my growth as an artist.”

Vega faced substantial pressure on social media to cancel her June show from supporters of BDS movement, a political campaign seeking to isolate and delegitimize Israel by calling for a cultural boycott.

“I think the cultural boycott punishes people who make their living in the arts, both in Israel and [around the world],” Vega said. “If culture is the medium by which we have dialogue, boycotting cuts this off. It doesn’t add to it.”

Vega believes that a better approach is to perform in Israel and support organizations fostering dialogue in the region. “I think a group such as ‘A Crack In The Wall’ is a better idea,” Vega said, referring to the group whose aims is to create cracks in the proverbial walls separating the peoples of the region by enabling opportunities for dialogue. Vega believes music can be a vessel for such dialogue and understanding, and this comes through in her music. Vega has a song called “A Crack In the Wall” which she performed in Tel Aviv.

“I wanted to sing my song ‘Horizon’ in Israel,” Vega told CCFP, “as it’s a song about transcending your limitations and your conflicts through the ideal of love. I didn’t want to be bullied out of it.” The song was dedicated to and inspired by Vaclav Havel, the first president of the Czech Republic, who Vega got a chance to know before his death in 2011. Vega admired him for leading his country and its people to freedom in a peaceful way.

When asked about her connection to her audience in Israel, Vega said: “I make a distinction between the people and the politics,” she said. “How could I not? I come from America and believe me I have not always agreed with the policies of my own government. Yet I still choose to live there. These things must be worked through.”

Is Thurston Moore Opposed to Israel’s Existence?

By David Renzer and Steve Schnur, June 28, 2015

(as published in the Jerusalem Post)

Earlier this year Thurston Moore, the American musician best known for his time in Sonic Youth, canceled his scheduled performance in Israel. No statement was made at the time, forcing observers to guess as to his motives. His recent statement (made in The Quietus, June 22, 2015) expressing support for the cultural boycott movement now makes it clear, and was picked up by more mainstream publications including Rolling Stone, in an article by Daniel Kreps.

But is Moore clear on what the Boycott, Divestment and Sanctions (BDS) movement stands for? Is he aware that supporters of the campaign for a cultural boycott of Israel use misinformation and manipulation to coerce well-meaning artists into supporting their political agenda? He wrote that he decided “to fully acknowledge [his] dedication [to] the boycott until the time comes for it to be unnecessary.” But what does this mean? Until there’s a peace treaty? Until both the Jewish and Palestinian peoples exercise their rights to self-determination and have secure borders? If he’s truly standing by the principles of the cultural boycott campaign, then it does not end here.

According to the guidelines of the BDS campaign, boycott attempts will continue not until the occupation ends, not until both peoples have their own state, but rather until Israel accepts “the rights of Palestinian refugees to return to their homes and properties as stipulated in UN resolution 194.” As defined clearly by Omar Barghouti, a leader and founding member of the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), “If the refugees were to return, you would not have a two-state solution, you’d have a Palestine next to a Palestine.” In other words, no Israel.

Ultimately, the responsibility to solve the long-standing and tragic conflict rests with the Israeli and Palestinian peoples and their governments. But any solution that does not allow both peoples to determine their own destiny is not a solution based on justice.

We at Creative Community For Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel, believe in freedom of artistic expression and that artists should be raising their voices for peace.

Of course, cultural events are not a panacea, and music and art by themselves will not create a peace treaty, secure borders, an end to terrorism or extremism. But every concert, every opportunity people have to come together, is a step on the path to peace.

It is Moore’s and other artists’ prerogative to choose not to perform in Israel. We at CCFP lament this decision, and offer artists a chance to engage positively on the issues that matter to them, while creating a cultural exchange that history has proven is far more effective at ending conflicts than weapons. But when Moore and others schedule concerts and then cancel them in this fashion, the people punished are the very Israelis most inclined toward progressive engagement.

Why not play in association with cultural institutions which promote equality? Or make a point of teaching a music lesson at one of the groundbreaking 50-50 Arab/Jewish school in Israel? Or meet and sing with a youth chorus comprised of Israeli and Palestinian high school students? Why not speak about his concerns, but from inside the country, from the stage, doing what he has done for a lengthy acclaimed career? Any thoughtful comments he might have made — before, during, or after his concert — would have certainly gotten media attention and had an impact. But because he has refused to perform and spend time in Israel his comments cannot have the same personal weight, feeling and value they might have. His words now belong to the BDS movement.

Moore, as a prominent musician, could do a world of good by traveling to Israel and bringing Jews and Arabs together through his music. We hope Moore will reconsider his decision to support the boycott campaign, and instead contribute to peace.

David Renzer, Chairman of Spirit Music Group, and Steve Schnur, Worldwide Executive and President of Electronic Arts (EA) Music Group, are co-founders of Creative Community For Peace (CCFP), an organization representing members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

http://www.jpost.com/Opinion/Is-Thurston-Moore-opposed-to-Israels-existence-407420

Traci Szymanski Brings Hollywood Celebrities and Music stars to Israel

By Anav Silverman, June 5, 2015, The Jerusalem Post Magazine

Thousands and thousands of screaming fans, including an exceptionally large number of nostalgic mothers, attended the three sold-out Backstreet Boys concerts held in Ra’anana two weeks ago. Peppering their performances with “We love you, Israel!” and adjusting the lyrics of their hit song to “I want it Israel’s way,” the live members of the popular 90s boy band also took the time to tour the country, happily sharing some of their experiences with their adoring fans.

But while Nick Carter, Brian Littrell, AJ McLean, Kevin Richardson and Howie Dorough took center-stage during their performances, a young blond woman by the name of Traci Szymanski was the person working behind the scenes to ensure their Israel visit was a success.

Szymanski, who works in the entertainment industry in Los Angeles, first visited Israel when she was 24, on a Taglit-Birthright trip. Her family on her mother’s side is Jewish, while her father’s side is Catholic. “My first trip to Israel in 2003 made a strong impact on me. Soon after I returned to the US, I felt a very strong connection to Israel on a spiritual, social and cultural level,” she told the Magazine in an exclusive interview. “I had an amazing tour guide on my first trip to Israel, and I chose to have her again as a tour guide for the Backstreet Boys on this trip 12 years later.”

Szymanski’s career in the US has always involved working with celebrities, both as an agent and producer and in the realm of public relations. She says that a substantial percentage of what she does is to work especially with celebrities who want to make a positive difference in the world. “Celebrities can continue to get rich or more famous, but it’s the ones who want to give back to the world who make a mark on it. It became a very natural path for me to merge my worlds of celebrities, entertainment and Israel together,” she revealed.

Other personalities that the Hollywood executive has been involved in bringing to Israel include Paula Abdul, the cast of CSI and Verne Troyer, as well as Madonna, Demi Moore and Ashton Kutcher through the Kabbalah Center. “I’ve always believed it is important for celebrities and people with the power of inluence to see things for themselves. Education is so essential for us to create a better world, and celebrities can be a great tool for sharing a message. When I returned to the US from my first trip to Israel, it hurt me to see all the misconceptions about Israel in the media and what is said by people who are not educated enough to speak. That’s why it became so crucial for me to encourage people to visit and see the country for themselves,” Szymanski explained. “What you rarely see in the media is how Israel contributes to the world in a positive way. As the only democracy in the Middle East, there are many who don’t know about Israel’s work in emergency response for devastated countries, its progress in medicine, technology and promoting human rights while welcoming tourists with open arms. The negative social media, propaganda and poor media reporting has had an influence on people. Ultimately, this only creates more negativity in our world that really needs more good in it. I don’t want people to accept what they hear from these sources.”

Szymanski believes that celebrities who are not educated about Israel and do not know have personal experience with it should not make pronouncements about the Jewish state. “Celebrities and high-profile people must speak and act responsibly, and they need to understand how their messages reach people and what effect they can have. If they are going to create more negativity, they shouldn’t be speaking.”

Referring to the Boycott, Divestment and Sanctions Movement’s campaign to stop international musical artists from performing in Israel, Szymanski says that music and the arts must encourage unity and be used for positive experiences. “The BDS Movement attempts to silence the arts and creates more negativity and conflict. I wish people could see this is not a good direction for anyone, she emphasized. Music can be used to bring people together and help create a better future.”

She cites iconic American music artist Alicia Keys, who responding to BDS pressure against her performance in Israel, declared, “Music is a universal language that is meant to unify audiences in peace and love, and that is the spirit of our show.”

Others like Lady Gaga, who performed in Israel for her second time in September 2014 following the summer war, stated, “Tel Aviv was magnificent. The world view of Israel is just not reality. It’s in a beautiful place; the people are in good spirits. I had a very emotional show with those fans – it was wonderful.”

And progressive rock music pioneer Alan Parsons, in responding to demands by Pink Floyd’s Roger Waters that Parsons reconsider his Tel Aviv performance in February, told another organization that Szymanski is involved with, Creative Community for Peace, that “Music knows no borders, and neither do I. [The] language of music has nothing to do with the language of politics. I have no aspirations towards political statements, contrary to what certain musicians do.”

As for the Backstreet Boys, Szymanski has been good friends with members of the group for many years. “I’ve been close friends with some of the guys in the Backstreet Boys group since 1998. After I first visited Israel, I began talking to them about it. I actually started talking to everyone about it! “I began encouraging all the artists and celebrities I know to go visit.” According to Szymanski, the Backstreet Boys have long wanted to visit Israel, but the timing had always been off. Even this visit was paved with previous challenges, as the group was forced to cancel its original summer show in 2014 due to Operation Protective Edge. “They promised they would reschedule when it was possible, and I knew they would,” said Szymanski.

Upon arriving in Israel from a concert tour in Australia, Szymanski created an itinerary for them, giving the band a taste of Israel within the short time they had. “With three sold-out shows, it was not easy to show them the entire country!”

The Backstreet Boys ended up touring Jerusalem, Tel Aviv-Jaffa, the Dead Sea, the Galilee and Lake Kinneret. “I could see the guys were really engaged while sightseeing; they truly wanted to learn about the country. From a historical, spiritual and social perspective, they each were impacted in a different way,” Szymanski enthused. “Take a look at their posts on Twitter and you will see that each of them made a genuine connection with the county.”

Indeed, during one concert, Backstreet Boys singer McLean gave Szymanski a shout-out, thanking her for making the band’s first trip to Israel “unforgettable and for the mind-changing experiences and warm welcome.”

And in a statement emailed to the Magazine, Backstreet’s Dorough wrote that “we truly had the most amazing, spiritual, enlightening trips of our lives visiting Israel. We can’t wait to come back again soon to visit this beautiful Holy Land. Thanks again to Traci for making this such a special experience for all of us.”

Other contributions to Israel Szymanski has made include her involvement with the Friends of the IDF gala dinner last November. Working with billionaire media mogul Haim Saban, they were able to bring in dozens of celebrities, magnates and high-profile figures, including Oracle’s Larry Ellison; philanthropists Sheldon and Miriam Adelson, and Michael and Susan Dell; brothers Maurice and Paul Marciano of Guess Jeans; Steve Tisch, famed producer and chairman of the New York Giants; singer Ricky Martin; composer/songwriter David Foster; the Canadian Tenors; “governator Arnold Schwarzenegger; diva Barbra Streisand; actors Sylvester Stallone and Chris Tucker; actresses Pamela Anderson and Joanna Krupa; model and entrepreneur Kathy Ireland; and professional basketball player Jordan Farmar. Over $33 million was raised for the FIDF, including a $150,000 donation from superstar TV talent judge Simon Cowell.

Szymanski is also involved with Creative Community for Peace, an organization representing members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

Reflecting on her success in her pro-Israel initiatives and projects, Szymanski says that people of all races, religions and backgrounds can relate to her. “I am heavily involved in pop culture, and not the picture of what people label as stereotypically Jewish. I traveled to Israel over 25 times, saw the country for myself with a completely blank slate and then was able to share my own experiences. I will continue doing these trips in the future as long as I have the right partners in Israel to do them with,” she vowed. Whether it is bringing celebrities out for shows, ad campaigns or just to visit, it’s important to continue.” 

 Read the original store here- http://www.jpost.com/Magazine/Golden-girl-405031 

Irish Dance Group’s Trip to Israel

Threatening Messages to Teachers, Parents and Students Force Cancellation of Irish Dance Group’s Trip to Israel 

By: Nick Lieber – Editorial Associate and Analyst, Creative Community For Peace

Extra SPACE

The first ever Irish dancing competition in Israel was meant to be held this coming August. When news broke, the organizers began receiving an onslaught of pressure from supporters of the cultural wing of the Boycott, Divestment, and Sanctions (BDS) campaign, a political movement which singles out Israel, and only Israel, as a nation to be boycotted by artists.

When an artist announces plans to perform in Israel, cultural boycott campaigners bombard them with open letters, petitions, and hundreds, sometimes thousands, of messages on social media in an effort to coerce them into canceling their performance. Their messages contain a type of dishonesty intended to trigger further hostility and dampen hope for rational discourse.
Responding to this pressure, the organizers issued a principled statement: “It is not about politics,” the Carey Irish Dance Academy wrote, “it is about bringing together people of different backgrounds, teaching them to respect each other no matter of their race, religion etc and thus create understanding, not drawing more lines in the sand. Irish dance, as well as any art form should not be limited to any particular group of people but available to anyone willing to learn.”

We at Creative Community For Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel, commend the spirit of this statement. Art should never be beholden to politics and artists must never allow themselves to be used by those seeking to advance a political agenda.

However, once the statement was released by the Carey Academy, pressure only intensified.

“Not long ago the feis [dance competition] page started to be attacked by a radical political group called Irish Palestine Solidarity Campaign (IPSC),” the Carey Academy wrote on Facebook, announcing the cancellation of the event. “Threatening messages were sent not only to our teachers, but also parents and students.”

Sadly, they are not the only ones to have been threatened by boycott supporters. Malian musician Salif Keita was forced to cancel his participation in the Jerusalem Festival of Sacred Music after receiving death threats. Macy Gray nearly canceled her show in Israel when she was told her life would be in jeopardy. English rocker Eric Burdon and Paul McCartney also reported receiving violent threats but chose to perform in Israel anyway.

We thank the Carey Academy for speaking out about the threats. The truth is, the cultural boycott campaign as a whole is a radical and discriminatory political movement diametrically opposed to peace. Their goal is not an end to conflict, it’s not to see a secure Israel next to a prosperous Palestine, but rather to see an end to the existence of Israel and Jewish self-determination, or, as Omar Barghouti, one of the founders of the cultural boycott campaign has said, “a Palestine next to a Palestine.”

Far more often than they should, boycott proponents succeed, hidden behind a veneer of justice and human rights, but in moments like this, their true colors shine through.

The Irish dance competition could have been a beautiful event, providing a space for the people of Ireland and Israel to learn about one another and to learn from one another. While we certainly appreciate that the safety of their dancers is their foremost concern, we hope the Carey Academy will see through the threat tactics, and reconsider their decision to cancel, and instead stand up for artistic freedom and against cultural boycotts.

First posted July 9, 2015 on the Times of Israel. 

X