by Steve Schnur and David Renzer, August 25, 2015; Jewish Journal
Posted on Aug. 25, 2015 at 9:37 am
Last week, the world was exposed to some of the fundamental flaws of the “Boycott Israel” faction known as the Boycott, Divestment and Sanctions (BDS) movement. Sadly, in this case, the victims were artists.
The first incident occurred when Israeli director Roy Zafrani, whose recent films include the internationally award-winning documentary about disabled children, “The Other Dreamers,” was told by organizers of the Norwegian Human Rights Human Wrongs Festival that his work could not be shown unless the film was about “the illegal occupation, the blockade of Gaza or the discrimination of Palestinians.”
“I’m sorry,” wrote founder of the festival’s parent organization, the Oslo Documentary Cinema. “Please let me know if you have documentary films that are dealing directly with the occupation.”
Zifrani, whose film received no Israeli government funding, called the decision “absurd,” saying, “I’m not a political man. I am not responsible for my government’s actions.”
In the second incident – one that was met with worldwide outrage, followed by a public apology and ultimately a victorious performance – the American Jewish musician Matisyahu was asked to provide to the organizers of the Rototom Reggae Festival in Spain a statement or video that expressed “in a very clear way” his positions on Zionism and a Palestinian State after the BDS movement lobbied the festival that the performer was a “Zionist” who justified the Israeli practices of apartheid and ethnic cleansing against the Palestinians.
Calling the request “appalling and offensive,” Matisyahu said, “I support peace and compassion for all people. My music speaks for itself and I do not insert politics into my music.” Stating that “no artists deserve to be put in that situation,” Matisyahu, the only Jewish American singer on the bill, wondered if “any of the other scheduled artists were asked to make political statements in order to perform.” Thousands of Matisyahu fans worldwide were equally shocked and disappointed that he was disinvited from performing. The festival later issued a statement, admitting “that it made a mistake, due to the boycott and the campaign of pressure, coercion and threats employed by the BDS Pais Valencia because it was perceived that the normal functioning of the festival could be threatened. All of which prevented the organization from reasoning clearly as to how to deal with the situation properly.”
We at the Creative Community for Peace (CCFP), an organization comprised of prominent members of the entertainment industry that promotes the arts as a means of building bridges, join the many voices of condemnation of these discriminatory and racist actions that are tantamount to censorship of an artist’s freedom of expression. They expose the extremist views and actions that accompany the BDS movement, from spreading the falsehood of accusations of “apartheid” in Israel, to only supporting the Palestinian right of self-determination while refusing to recognize the same right for Israel.
Rather than recognizing the power of the arts to bring people together, the BDS movement’s radical agenda unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by culture and the arts functioning as a bridge of societies.
Further, in an environment of rising global anti-Semitism, these acts cross the line of acceptable behavior.
While the organizers of the Reggae Festival recognized their bias and discrimination, perhaps it is time for the Human Rights Human Wrongs festival in Oslo – as well as future targets of BDS threats – to do the same.
Steve Schnur is Worldwide Executive and President of Electronic Arts (EA)Music Group and Co-Founder of Creative Community for Peace.
David Renzer is Chair of Spirit Music Group and Co-Founder of Creative Community for Peace. Creative Community for Peace (CCFP) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.
Rather than recognizing the power of the arts to bring people together, BDS unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by art.
by Steve Schnur and David Renzer, August 25, 2015; The Jerusalem Post
Last week, the world was exposed to some of the fundamental flaws of the “Boycott Israel” faction known as the Boycott, Divestment and Sanctions (BDS) movement. Sadly, in this case, the victims were artists.
The first incident occurred when Israeli director Roy Zafrani, whose recent films include the internationally award-winning documentary about disabled children, “The Other Dreamers,” was told by organizers of the Norwegian Human Rights Human Wrongs Festival that his work could not be shown unless the film was about “the illegal occupation, the blockade of Gaza or the discrimination of Palestinians.”
“I’m sorry,” wrote founder of the festival’s parent organization, the Oslo Documentary Cinema. “Please let me know if you have documentary films that are dealing directly with the occupation.”
Zifrani, whose film received no Israeli government funding, called the decision “absurd,” saying, “I’m not a political man. I am not responsible for my government’s actions.”
In the second incident – one that was met with worldwide outrage, followed by a public apology and ultimately a victorious performance – the American Jewish musician Matisyahu was asked to provide to the organizers of the Rototom Reggae Festival in Spain a statement or video that expressed “in a very clear way” his positions on Zionism and a Palestinian State after the BDS movement lobbied the festival that the performer was a “Zionist” who justified the Israeli practices of apartheid and ethnic cleansing against the Palestinians.
Calling the request “appalling and offensive,” Matisyahu said, “I support peace and compassion for all people. My music speaks for itself and I do not insert politics into my music.” Stating that “no artists deserve to be put in that situation,” Matisyahu, the only Jewish American singer on the bill, wondered if “any of the other scheduled artists were asked to make political statements in order to perform.” Thousands of Matisyahu fans worldwide were equally shocked and disappointed that he was disinvited from performing. The festival later issued a statement, admitting “that it made a mistake, due to the boycott and the campaign of pressure, coercion and threats employed by the BDS Pais Valencia because it was perceived that the normal functioning of the festival could be threatened. All of which prevented the organization from reasoning clearly as to how to deal with the situation properly.”
We at the Creative Community for Peace (CCFP), an organization comprised of prominent members of the entertainment industry that promotes the arts as a means of building bridges, join the many voices of condemnation of these discriminatory and racist actions that are tantamount to censorship of an artist’s freedom of expression. They expose the extremist views and actions that accompany the BDS movement, from spreading the falsehood of accusations of “apartheid” in Israel, to only supporting the Palestinian right of self-determination while refusing to recognize the same right for Israel.
Rather than recognizing the power of the arts to bring people together, the BDS movement’s radical agenda unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by culture and the arts functioning as a bridge of societies.
Further, in an environment of rising global anti-Semitism, these acts cross the line of acceptable behavior.
While the organizers of the Reggae Festival recognized their bias and discrimination, perhaps it is time for the Human Rights Human Wrongs festival in Oslo – as well as future targets of BDS threats – to do the same.
Steve Schnur is Worldwide Executive and President of Electronic Arts (EA)Music Group and Co-Founder of Creative Community for Peace.
David Renzer is Chair of Spirit Music Group and Co-Founder of Creative Community for Peace. Creative Community for Peace (CCFP) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.
Bridges, Not Boycotts
By CCFP Staff
Singer Pharrell Williams is expected to face protests and boycotts of his shows in South Africa. Why? Because of his partnership with Woolworth’s, a retailer which imports 0.1% of its produce from Israel. People have threatened to block off roads to the concerts or even occupy the venues to prevent Pharrell from being heard.
While these tactics may sound extreme, they are merely the tip of the iceberg for supporters of BDS (Boycott, Divestment, and Sanctions), a political campaign seeking to isolate Israel, and only Israel, in the diplomatic, economic, academic, and cultural spheres.
International artists who book shows in Israel face almost daily harassment from cultural boycott supporters, and sometimes, as in the case of Eric Burdon, Paul McCartney, and Salif Keita, to name a few, actual threats of physical violence. Israeli artists abroad face protests and intimidation. Last year, when the Israeli film “Dancing in Jaffa,” a wonderful film about Jewish-Arab coexistence through dance, was screened in France, protesters entered the venue, screamed anti-Israel slogans, and threw stink bombs on stage.
All of this can be described with one simple and terrible word: Censorship. There is no other way to put it. Using harassment, threats, and intimidation to silence artists and/or force them to adopt a certain political outlook is artistic censorship.
Last year in the Islamic Republic of Iran, seven young people were arrested and sentenced to jail time and lashes for making a video of Pharrell’s song “Happy” in Tehran. They were punished because their actions did not conform to the ideology of the government.
Will Pharrell be prevented from singing “Happy” in the Republic of South Africa because his actions do not conform to the ideology of BDS? We in the free world must insist that art and artists never be beholden to a political agenda.
Art is a powerful force that can inspire and unite. It is our shared human language and rises above politics in ways that little else can. It helps us to understand and empathize with one another, overcoming biases and misconceptions, laying tiny bricks on the path to peace. The world needs more cultural bridges, not cultural boycotts.
“Israel has always provided us with the warmest welcome imaginable. I remember how floored we were the first time we played there. We couldn’t believe how many fans we had and how excited they were to watch us play. It’s one of the most exotic places to go too as well, we feel fortunate to be able to travel to such a rich cultural place while doing what we believe we do best. We can’t wait to go back and are so excited to have back-to-back shows in September. Music is communication on an emotionel level… it supercedes [anything] political or what makes us different. It actually highlights what makes us the same.”