
J.K. Rowling, Daniel Battsek & Other Brits Write Open Letter Opposing Cultural Boycott Of Israel
In a letter published today in the UK’s The Guardian, artists across Great Britain including Harry Potter author J.K. Rowling, Dame Hilary Mantel (Wolf Hall) and Simon Schama are rallying in support of Israeli-Palestinian dialogue versus cultural boycotts in a new group known as the Culture for Coexistence. The letter comes in response to a letter the newspaper published in February by 700 artists calling for the cultural boycott of Israel.
That letter last winter, which included the signatures of Brian Eno and directors Mike Leigh and Ken Loach, read: “We will not engage in business-as-usual cultural relations with Israel. We will accept neither professional invitations to Israel, nor funding, from any institutions linked to its government. Since the summer war on Gaza, Palestinians have enjoyed no respite from Israel’s unrelenting attack on their land, their livelihood, their right to political existence.”
Today’s letter in the Guardian includes 150-plus signatures and reads as follows:
In February 2015 you published a letter from UK artists announcing their intention to culturally boycott Israel.
We do not believe cultural boycotts are acceptable or that the letter you published accurately represents opinion in the cultural world in the UK.
Therefore we are writing to declare our support for the launch and aims of Culture for Coexistence – an independent UK network representing a cross-section from the cultural world.
We will be seeking to inform and encourage dialogue about Israel and the Palestinians in the wider cultural and creative community. While we may not all share the same views on the policies of the Israeli government, we all share a desire for peaceful coexistence.
Cultural boycotts singling out Israel are divisive and discriminatory, and will not further peace. Open dialogue and interaction promote greater understanding and mutual acceptance, and it is through such understanding and acceptance that movement can be made towards a resolution of the conflict.
Ultimately we all believe in a two-state solution so that the national self-determination of both peoples is realised, with the state of Israel and a Palestinian state living side by side in peace and security.
Cultural engagement builds bridges, nurtures freedom and positive movement for change. We wholly endorse encouraging such a powerful tool for change rather than boycotting its use.
Other names included on the list included such distinguished entertainment executives such as National Geographic Films president Daniel Battsek, docu film producer John Battsek, producer John Heyman, Lord Melvyn Bragg and MP Michael Dugher. The Culture for
Coexistence’s letter was applauded by Los Angeles-basedCreative Community for Peace, which last summer published a “Hollywood Speaks” statement in the trades and major U.S. newspapers during the 2014 Israel-Gaza conflict from CCFP & Friends that said, in part, “We join together in support of the democratic values we all cherish and in the hope that the healing and transformative power of the arts can be used to build bridges of peace.” That statement included 300 signatures from people including Seth Rogen, Sylvester Stallone, Sarah Silverman, Bill Maher and Harvey and Bob Weinstein.
CCFP co-founder David Renzer said in a statement today: “We are pleased to see prominent UK artists supporting the positive powers of the arts while at the same time not falling prey to many of the falsehoods and misinformation that have been spread by the Boycott Israel (BDS) movement. We look forward to working closely with Culture for Coexistence to promote peace and coexistence between Israelis and Palestinians through the cultural and creative industries. As their letter so accurately points out, ‘cultural boycotts singling out Israel are divisive and discriminatory and will not further peace.'”

Why Roger Waters fails to sway prominent musicians into boycotting Israel
Roger Waters tried again to sway a prominent musician into boycotting a scheduled performance in Israel. First, he tried to get Bon Jovi to boycott Israel based on his claim of it being an “apartheid” regime. When he realized that the performance would proceed as scheduled, he resorted to listing a litany of wrongs committed by Israel to the Palestinians and claimed that Bon Jovi was complicit.
Let’s examine some of his arguments and see why he continues to fail to sway intelligent artists, ranging recently from Dionne Warwick, to Robbie Williams and the Rolling Stones.
First, Waters argues that Israel is an “apartheid” regime. As anyone who has been to Israel knows, Israel does not meet the definition of an “apartheid” country. Arabs have the right to vote, the right to a free press, serve in Israel’s government (there are over 14 Arab members in Israel’s cabinet), and even sit on Israel’s Supreme Court. The justice who convicted former Israeli President Olmert of corruption was an Arab. Just as America grapples with Ferguson and charges of racial discrimination, there may be instances of injustice to Arabs that occur in Israel. However to try to brand Israel as apartheid is simply untrue and libelous.
Second, Waters fails to mention that the founders of the Boycott Israel (BDS) movement do not support Israel’s right to self-determination, while only supporting the Palestinians right to self- determination (and statehood). Simply put, the BDS doesn’t want to see a Palestinian State living peacefully side by side with Israel, but rather built on the ashes of Israel.
Third, Waters has lost credibility with his outlandish comments, including that Israel has treated the Palestinians “worse than the Nazi’s treated the Jews”, and that Hamas truly wants peace with Israel while their charter and recent proclamations continue to call for the destruction of Israel.
Intelligent artists also know that the following is true:
1) You can’t hold an entire population responsible for the actions of its government. If that were the case, should we assume that all artists who perform in the US support every action of the US government, whether domestically or internationally? Of course not.
2) Israel is a pro-western style democracy that has a natural love for western culture – and in particular, music. Artists know this and love performing for their fans–not for any government.
3) Intelligent artists know the power that their music has. It has the power to open hearts and minds, build bridges amongs different cultures, and help to unite those from disparate backgrounds.
4) Artists know that conflicts are complex, and that resorting to name calling, brow beating, and frankly distortions and outright lies is not helpful towards finding resolutions.
Recent violent attacks against innocent Israeli’s show the power that rhetoric has to incite.
While Waters (and we) laments the loss of innocent life, his functioning as a “bull horn” for spreading untruths and misinformation only fan the flame rather than seek to use the power of music and culture to unite.
David Renzer, Chairman, Spirit Music Group and Steve Schnur, Worldwide Executive of Music, Electronic Arts are the Co-founders Creative Community for Peace (CCFP), an organization dedicated to promoting the arts as a bridge to peace and to countering the cultural boycott of Israel. CCFP is comprised of people from a cross-section of the cultural world who represent a broad range of opinions on politics and on the best path to resolving the conflicts between Palestinians and Israelis. But we all agree that singling out Israel as a target of cultural boycotts will not further peace.

Waters functioning as a “bull horn” for spreading untruths and misinformation only fan the flame rather than seek to use the power of music and culture to unite.
Roger Waters tried again to sway a prominent musician into boycotting a scheduled performance in Israel. First, he tried to get Bon Jovi to boycott Israel based on his claim of it being an “apartheid” regime. When he realized that the performance would proceed as scheduled, he resorted to listing a litany of wrongs committed by Israel to the Palestinians and claimed that Bon Jovi was complicit.
Let’s examine some of his arguments and see why he continues to fail to sway intelligent artists, ranging recently from Dionne Warwick, to Robbie Williams and the Rolling Stones.
First, Waters argues that Israel is an “apartheid” regime. As anyone who has been to Israel knows, Israel does not meet the definition of an “apartheid” country. Arabs have the right to vote, the right to a free press, serve in Israel’s government (there are over 14 Arab members in Israel’s cabinet), and even sit on Israel’s Supreme Court. The justice who convicted former Israeli President Olmert of corruption was an Arab. Just as America grapples with Ferguson and charges of racial discrimination, there may be instances of injustice to Arabs that occur in Israel. However to try to brand Israel as apartheid is simply untrue and libelous.
Second, Waters fails to mention that the founders of the Boycott Israel (BDS) movement do not support Israel’s right to self-determination, while only supporting the Palestinians right to self- determination (and statehood). Simply put, the BDS doesn’t want to see a Palestinian State living peacefully side by side with Israel, but rather built on the ashes of Israel.
Third, Waters has lost credibility with his outlandish comments, including that Israel has treated the Palestinians “worse than the Nazi’s treated the Jews”, and that Hamas truly wants peace with Israel while their charter and recent proclamations continue to call for the destruction of Israel.
Intelligent artists also know that the following is true:
1) You can’t hold an entire population responsible for the actions of its government. If that were the case, should we assume that all artists who perform in the US support every action of the US government, whether domestically or internationally? Of course not.
2) Israel is a pro-western style democracy that has a natural love for western culture – and in particular, music. Artists know this and love performing for their fans–not for any government.
3) Intelligent artists know the power that their music has. It has the power to open hearts and minds, build bridges amongs different cultures, and help to unite those from disparate backgrounds.
4) Artists know that conflicts are complex, and that resorting to name calling, brow beating, and frankly distortions and outright lies is not helpful towards finding resolutions.
Recent violent attacks against innocent Israeli’s show the power that rhetoric has to incite.
While Waters (and we) laments the loss of innocent life, his functioning as a “bull horn” for spreading untruths and misinformation only fan the flame rather than seek to use the power of music and culture to unite.
David Renzer, Chairman, Spirit Music Group and Steve Schnur, Worldwide Executive of Music, Electronic Arts are the Co-founders Creative Community for Peace (CCFP), an organization dedicated to promoting the arts as a bridge to peace and to countering the cultural boycott of Israel. CCFP is comprised of people from a cross-section of the cultural world who represent a broad range of opinions on politics and on the best path to resolving the conflicts between Palestinians and Israelis. But we all agree that singling out Israel as a target of cultural boycotts will not further peace.

Israeli musician Riff Cohen receives “big, huge hug” from Turkish fans
By: Nick Lieber – Editorial Associate and Analyst, Creative Community For Peace
It’s no secret that Israel and Turkey aren’t exactly friends right now. After several years of rising tensions, relations are as bad as they’ve ever been between the two countries. But according to Israeli musician Riff Cohen, there’s no indication of this in the music scene.
“When I went [to Turkey] I felt such a big, huge hug,” Riff told Creative Community For Peace (CCFP), an organization representing prominent members of the entertainment industry dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.
Riff is well known for her musical fusion, blending together modern and traditional elements to make unique and fascinating sounds. With familial roots in France and North Africa, she sings in French, Hebrew, and Arabic, putting her mother’s poetry to her music.
This mashing together of modernity and tradition, of different cultures and languages, is something Riff believes people in the region can’t help but understand. It’s something the various peoples in the region have in common. But she didn’t fully realize that until she performed in Turkey.
“When I went to Turkey the first time, it helped me understand Israel much better. There are so many common things. It’s nothing about Judaism…just the fact that we are in the Middle East.”
It’s not just that people are loud (“[Before] I had even gotten on stage, people screamed like crazy,” Riff said), or brusque, or any other stereotype commonly applied to Middle Easterners, but that the different peoples in the region are split between the influence of the modern world and their ancient religions and cultures. Some might say these things are incompatible, like the elements of Riff’s music.
“I feel that they’re like my cultural brothers,” she said of the Turks. “I feel they really understand my musical style, of mixing things together that can’t go together.”
Demonstrating the great ability of music to transcend borders and politics, there were even fans from Iran who traveled to Turkey to attend Riff’s show. And yet, nobody said a word about politics, she said. “Even the interviews were really respectful and very artistic. Nothing about politics.”
Her song “Dans Mon Quartier” was a #1 song in Turkey and, despite being released years ago is still at #11.
“Music is communication on an emotional level… it supersedes [anything] political or what makes us different. It actually highlights what makes us the same.”
CCFP sat down for an exclusive interview with Sarah Bettens and Gert Bettens of the Belgian rock band K’s Choice right before their two sold-out shows in Tel Aviv to discuss the importance of music, artistic censorship and their strong Israeli fan base. Watch the interview below.




