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Artists have refused to capitulate to BDS pressure

By David Brinn, original article in The Jerusalem Post here. 
Tue, Sep, 15 2015

CCFP Exclusive Interview with K’s Choice

“Music is communication on an emotional level… it supersedes [anything] political or what makes us different. It actually highlights what makes us the same.”

CCFP sat down for an exclusive interview with Sarah Bettens and Gert Bettens of the Belgian rock band K’s Choice right before their two sold-out shows in Tel Aviv to discuss the importance of music, artistic censorship and their strong Israeli fan base. Watch the interview below.

Recent actions of BDS groups expose discriminatory, anti-Semitic underpinnings

by Steve Schnur and David Renzer, August 25, 2015; Jewish Journal

Posted on Aug. 25, 2015 at 9:37 am

Last week, the world was exposed to some of the fundamental flaws of the “Boycott Israel” faction known as the Boycott, Divestment and Sanctions (BDS) movement. Sadly, in this case, the victims were artists.

The first incident occurred when Israeli director Roy Zafrani, whose recent films include the internationally award-winning documentary about disabled children, “The Other Dreamers,” was told by organizers of the Norwegian Human Rights Human Wrongs Festival that his work could not be shown unless the film was about “the illegal occupation, the blockade of Gaza or the discrimination of Palestinians.”

“I’m sorry,” wrote founder of the festival’s parent organization, the Oslo Documentary Cinema. “Please let me know if you have documentary films that are dealing directly with the occupation.”

Zifrani, whose film received no Israeli government funding, called the decision “absurd,” saying, “I’m not a political man. I am not responsible for my government’s actions.”

In the second incident – one that was met with worldwide outrage, followed by a public apology and ultimately a victorious performance – the American Jewish musician Matisyahu was asked to provide to the organizers of the Rototom Reggae Festival in Spain a statement or video that expressed “in a very clear way” his positions on Zionism and a Palestinian State after the BDS movement lobbied the festival that the performer was a “Zionist” who justified the Israeli practices of apartheid and ethnic cleansing against the Palestinians.

Calling the request “appalling and offensive,” Matisyahu said, “I support peace and compassion for all people. My music speaks for itself and I do not insert politics into my music.” Stating that “no artists deserve to be put in that situation,” Matisyahu, the only Jewish American singer on the bill, wondered if “any of the other scheduled artists were asked to make political statements in order to perform.” Thousands of Matisyahu fans worldwide were equally shocked and disappointed that he was disinvited from performing. The festival later issued a statement, admitting “that it made a mistake, due to the boycott and the campaign of pressure, coercion and threats employed by the BDS Pais Valencia because it was perceived that the normal functioning of the festival could be threatened. All of which prevented the organization from reasoning clearly as to how to deal with the situation properly.”

We at the Creative Community for Peace (CCFP), an organization comprised of prominent members of the entertainment industry that promotes the arts as a means of building bridges, join the many voices of condemnation of these discriminatory and racist actions that are tantamount to censorship of an artist’s freedom of expression. They expose the extremist views and actions that accompany the BDS movement, from spreading the falsehood of accusations of “apartheid” in Israel, to only supporting the Palestinian right of self-determination while refusing to recognize the same right for Israel.

Rather than recognizing the power of the arts to bring people together, the BDS movement’s radical agenda unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by culture and the arts functioning as a bridge of societies.

Further, in an environment of rising global anti-Semitism, these acts cross the line of acceptable behavior.

While the organizers of the Reggae Festival recognized their bias and discrimination, perhaps it is time for the Human Rights Human Wrongs festival in Oslo – as well as future targets of BDS threats – to do the same.

Steve Schnur is Worldwide Executive and President of Electronic Arts (EA)Music Group and Co-Founder of Creative Community for Peace.

David Renzer is Chair of Spirit Music Group and Co-Founder of Creative Community for Peace. Creative Community for Peace (CCFP) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

 

The Power of Art to Bring People Together

Rather than recognizing the power of the arts to bring people together, BDS unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by art.

by Steve Schnur and David Renzer, August 25, 2015; The Jerusalem Post

Last week, the world was exposed to some of the fundamental flaws of the “Boycott Israel” faction known as the Boycott, Divestment and Sanctions (BDS) movement. Sadly, in this case, the victims were artists.

The first incident occurred when Israeli director Roy Zafrani, whose recent films include the internationally award-winning documentary about disabled children, “The Other Dreamers,” was told by organizers of the Norwegian Human Rights Human Wrongs Festival that his work could not be shown unless the film was about “the illegal occupation, the blockade of Gaza or the discrimination of Palestinians.”

“I’m sorry,” wrote founder of the festival’s parent organization, the Oslo Documentary Cinema. “Please let me know if you have documentary films that are dealing directly with the occupation.”

Zifrani, whose film received no Israeli government funding, called the decision “absurd,” saying, “I’m not a political man. I am not responsible for my government’s actions.”

In the second incident – one that was met with worldwide outrage, followed by a public apology and ultimately a victorious performance – the American Jewish musician Matisyahu was asked to provide to the organizers of the Rototom Reggae Festival in Spain a statement or video that expressed “in a very clear way” his positions on Zionism and a Palestinian State after the BDS movement lobbied the festival that the performer was a “Zionist” who justified the Israeli practices of apartheid and ethnic cleansing against the Palestinians.

Calling the request “appalling and offensive,” Matisyahu said, “I support peace and compassion for all people. My music speaks for itself and I do not insert politics into my music.” Stating that “no artists deserve to be put in that situation,” Matisyahu, the only Jewish American singer on the bill, wondered if “any of the other scheduled artists were asked to make political statements in order to perform.” Thousands of Matisyahu fans worldwide were equally shocked and disappointed that he was disinvited from performing. The festival later issued a statement, admitting “that it made a mistake, due to the boycott and the campaign of pressure, coercion and threats employed by the BDS Pais Valencia because it was perceived that the normal functioning of the festival could be threatened. All of which prevented the organization from reasoning clearly as to how to deal with the situation properly.”

We at the Creative Community for Peace (CCFP), an organization comprised of prominent members of the entertainment industry that promotes the arts as a means of building bridges, join the many voices of condemnation of these discriminatory and racist actions that are tantamount to censorship of an artist’s freedom of expression. They expose the extremist views and actions that accompany the BDS movement, from spreading the falsehood of accusations of “apartheid” in Israel, to only supporting the Palestinian right of self-determination while refusing to recognize the same right for Israel.

Rather than recognizing the power of the arts to bring people together, the BDS movement’s radical agenda unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by culture and the arts functioning as a bridge of societies.

Further, in an environment of rising global anti-Semitism, these acts cross the line of acceptable behavior.

While the organizers of the Reggae Festival recognized their bias and discrimination, perhaps it is time for the Human Rights Human Wrongs festival in Oslo – as well as future targets of BDS threats – to do the same.

Steve Schnur is Worldwide Executive and President of Electronic Arts (EA)Music Group and Co-Founder of Creative Community for Peace.

David Renzer is Chair of Spirit Music Group and Co-Founder of Creative Community for Peace. Creative Community for Peace (CCFP) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

 

Bridges, Not Boycotts

Bridges, Not Boycotts

By CCFP Staff

Singer Pharrell Williams is expected to face protests and boycotts of his shows in South Africa. Why? Because of his partnership with Woolworth’s, a retailer which imports 0.1% of its produce from Israel. People have threatened to block off roads to the concerts or even occupy the venues to prevent Pharrell from being heard.

While these tactics may sound extreme, they are merely the tip of the iceberg for supporters of BDS (Boycott, Divestment, and Sanctions), a political campaign seeking to isolate Israel, and only Israel, in the diplomatic, economic, academic, and cultural spheres.

International artists who book shows in Israel face almost daily harassment from cultural boycott supporters, and sometimes, as in the case of Eric Burdon, Paul McCartney, and Salif Keita, to name a few, actual threats of physical violence. Israeli artists abroad face protests and intimidation. Last year, when the Israeli film “Dancing in Jaffa,” a wonderful film about Jewish-Arab coexistence through dance, was screened in France, protesters entered the venue, screamed anti-Israel slogans, and threw stink bombs on stage.

All of this can be described with one simple and terrible word: Censorship. There is no other way to put it. Using harassment, threats, and intimidation to silence artists and/or force them to adopt a certain political outlook is artistic censorship.

Last year in the Islamic Republic of Iran, seven young people were arrested and sentenced to jail time and lashes for making a video of Pharrell’s song “Happy” in Tehran. They were punished because their actions did not conform to the ideology of the government.

Will Pharrell be prevented from singing “Happy” in the Republic of South Africa because his actions do not conform to the ideology of BDS? We in the free world must insist that art and artists never be beholden to a political agenda.

Art is a powerful force that can inspire and unite. It is our shared human language and rises above politics in ways that little else can. It helps us to understand and empathize with one another, overcoming biases and misconceptions, laying tiny bricks on the path to peace. The world needs more cultural bridges, not cultural boycotts.

Sarah Bettens

“Israel has always provided us with the warmest welcome imaginable. I remember how floored we were the first time we played there. We couldn’t believe how many fans we had and how excited they were to watch us play. It’s one of the most exotic places to go too as well, we feel fortunate to be able to travel to such a rich cultural place while doing what we believe we do best. We can’t wait to go back and are so excited to have back-to-back shows in September. Music is communication on an emotionel level… it supercedes [anything] political or what makes us different. It actually highlights what makes us the same.”

Irish Dance Group’s Trip to Israel

Threatening Messages to Teachers, Parents and Students Force Cancellation of Irish Dance Group’s Trip to Israel 

By: Nick Lieber – Editorial Associate and Analyst, Creative Community For Peace

Extra SPACE

The first ever Irish dancing competition in Israel was meant to be held this coming August. When news broke, the organizers began receiving an onslaught of pressure from supporters of the cultural wing of the Boycott, Divestment, and Sanctions (BDS) campaign, a political movement which singles out Israel, and only Israel, as a nation to be boycotted by artists.

When an artist announces plans to perform in Israel, cultural boycott campaigners bombard them with open letters, petitions, and hundreds, sometimes thousands, of messages on social media in an effort to coerce them into canceling their performance. Their messages contain a type of dishonesty intended to trigger further hostility and dampen hope for rational discourse.
Responding to this pressure, the organizers issued a principled statement: “It is not about politics,” the Carey Irish Dance Academy wrote, “it is about bringing together people of different backgrounds, teaching them to respect each other no matter of their race, religion etc and thus create understanding, not drawing more lines in the sand. Irish dance, as well as any art form should not be limited to any particular group of people but available to anyone willing to learn.”

We at Creative Community For Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel, commend the spirit of this statement. Art should never be beholden to politics and artists must never allow themselves to be used by those seeking to advance a political agenda.

However, once the statement was released by the Carey Academy, pressure only intensified.

“Not long ago the feis [dance competition] page started to be attacked by a radical political group called Irish Palestine Solidarity Campaign (IPSC),” the Carey Academy wrote on Facebook, announcing the cancellation of the event. “Threatening messages were sent not only to our teachers, but also parents and students.”

Sadly, they are not the only ones to have been threatened by boycott supporters. Malian musician Salif Keita was forced to cancel his participation in the Jerusalem Festival of Sacred Music after receiving death threats. Macy Gray nearly canceled her show in Israel when she was told her life would be in jeopardy. English rocker Eric Burdon and Paul McCartney also reported receiving violent threats but chose to perform in Israel anyway.

We thank the Carey Academy for speaking out about the threats. The truth is, the cultural boycott campaign as a whole is a radical and discriminatory political movement diametrically opposed to peace. Their goal is not an end to conflict, it’s not to see a secure Israel next to a prosperous Palestine, but rather to see an end to the existence of Israel and Jewish self-determination, or, as Omar Barghouti, one of the founders of the cultural boycott campaign has said, “a Palestine next to a Palestine.”

Far more often than they should, boycott proponents succeed, hidden behind a veneer of justice and human rights, but in moments like this, their true colors shine through.

The Irish dance competition could have been a beautiful event, providing a space for the people of Ireland and Israel to learn about one another and to learn from one another. While we certainly appreciate that the safety of their dancers is their foremost concern, we hope the Carey Academy will see through the threat tactics, and reconsider their decision to cancel, and instead stand up for artistic freedom and against cultural boycotts.

First posted July 9, 2015 on the Times of Israel. 

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