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Pro-Israel students at UCLA slam ‘antisemitic’ film screening attended by Roger Waters

A group of pro-Israel students at the University of California Los Angeles (UCLA) have condemned a recent film screening on campus hosted by a pro-Palestinian group, accusing the event of perpetuating antisemitic conspiracy theories.

The Students for Justice in Palestine movement held a screening on November 30 at UCLA of the film “The Occupation of the American Mind,” a cinematic creation that claims to expose “Israel’s public relations war with the world.”

The popular cross-campus pro-Palestinian student movement, often holds pro-BDS and pro-Palestine events, lectures and activities on campuses across the US in an attempt to raise awareness for its cause.
The screening of the film at UCLA was widely publicized and was also followed by a discussion with the film’s producer, Sut Jhally.

One high-profile attendee at the screening was the film’s narrator, Roger Waters, the renowned Pink Floyd musician and outspoken proponent of the BDS movement against Israel.

The documentary film has come under fire for its approach in purporting to show the different ways in which Jewish Americans as well as Israeli activists do everything in their capacity to lobby pro-Israel ideas, laws and actions in favor of Israel; thus developing an ever-growing operation that seeks to gain control of the American government and public opinion.

While some of the student body at UCLA attended the event and reportedly had a positive reaction, others were alarmed by the event and the discussion that followed it.
In an article submitted to UCLA’s newspaper, the Daily Bruin, a group of pro-Israel students expressed their concerns and even bewilderment at the university’s administration for enabling what they said was a blatantly antisemitic event on university grounds.

“The film is an intellectualization of the centuries-old anti-Semitic conspiracy theory that a group of powerful, manipulative and domination-obsessed Jews have gained control of politics and media through a combination of wealth, power, influence and deceit,” read the letter penned by two students and endorsed the representatives of several campus groups. “The film asserts that through sheer mendacity and careful scheming, Jews concocted stories of suffering, when in reality, they were the true oppressors.”

“Rather than initiate a constructive dialogue about the role of the media in this conflict, ‘The Occupation of the American Mind’ devotes its energy to flirting with and perpetuating anti-Semitic conspiracy theories,” the students lamented. “Our interest in writing this piece is not to silence the viewpoints put forth by the film. Rather than silencing voices, our goal is to combat ‘bad speech’ with constructive speech.”

They explained that while they are both eager to promote their fellow students’ constitutional rights such as freedom of speech, they were disappointed in those from the student body who backed the event, charging that they provided a platform of “identity-based hatred” that violated the university’s code of conduct.

“Along with their right to screen this film comes our moral responsibility to call it what it is: inflammatory, anti-Semitic propaganda,” stated the letter criticizing the film screening.

The group of pro-Israel students said that they felt their peers had failed to discern between pro-Palestinian activities and antisemitic agendas.

The article, published December 1, garnered the response of many who echoed their hopes to put a stop to antisemitic activities in student campuses across the US.
Original article was published in The Jerusalem Post here. 

Fans Urged to Rally Behind The Chemical Brothers After BDS Supporter Roger Waters Calls on British Electro Duo to Cancel Israel Show

avatarby Shiryn Ghermezian for Algemeiner.com

An entertainment industry advocacy organization called on fans to rally behind famed British electro duo The Chemical Brothers as they face pressure by anti-Israel activists, including former Pink Floyd bassist Roger Waters, to cancel their upcoming concert in the Jewish state.

“We need YOU to write messages of support to English electronic music duo the Chemical Brothers,” the group, Creative Community for Peace (CCFP), posted on Facebook on Tuesday.

Waters recently joined thousands of performers who signed an open letter by Artists for Palestine UK, demanding that The Chemical Brothers — Ed Simons and Tom Rowlands — back out of their Tel Aviv show, to express solidarity with the BDS movement.

The letter says, “Your recording company, Virgin EMI, may tell you that playing Tel Aviv on November 12 is a cool thing to do. But Tel Aviv’s hipster vibe is a bubble on the surface of a very deep security state that drove out half the indigenous Palestinian population in 1948 and has no intention of letting their descendants back in. If you go to Tel Aviv, your presence will be used by the Israeli authorities to reassure their citizens that all’s right with the world and nobody really cares that the Palestinians are suffering… Please don’t go.”

In addition to the letter, more than 7,000 people signed a petition asking The Chemical Brothers to boycott Israel. The petition accuses Israel of “severe violations of international law,” and claims that the Jewish state uses culture as “a form of propaganda to whitewash and justify its regime of occupation, settler-colonialism and apartheid over the oppressed Palestinian people.”

The petition also says, “Artists who perform in Israel are actually taking part in whitewashing the occupation and apartheid. When international artists, such as the Chemical Brothers, perform at Israeli cultural venues and institutions, they help to create the false impression that Israel is a ‘normal’ country just like any other.”

CCFP’s Communications and Project Coordinator, Tara Khoshbin, told The Algemeiner on Wednesday that the Chemical Brothers are “just the latest in a long list of artists to receive massive pressure by supporters of BDS.” She added, “Many artists who choose to perform in Israel are bombarded by hundreds or thousands of anti-Israel messages, very often containing misinformation and distortions which we believe dampen hope for rational discourse and a positive way forward.”

The Chemical Brothers have not responded to the petition or letter as of yet. Tickets remain on sale for their Tel Aviv show.

Original article here. 

Anti-Israel comments by Roger Waters make him the ‘odd man out’

Roger Waters’ support for the Boycott, Divestment, and Sanctions (BDS) movement against Israel shows just how much of an anomaly he is at this week’s Desert Trip festival — not to mention in the wider artistic community.

Roger Waters expends a great deal of energy attempting to convince artists to embrace the cultural boycott of Israel and refrain from performing there. He is one of the most vocal supporters of the movement and by far the most celebrated musician to have embraced it.

Four out of the other five acts at Desert Trip, however — The Rolling Stones, Bob Dylan, Paul McCartney, and Neil Young — have been victimized by — and explicitly rejected — BDS pressure, including personal appeals from Roger himself.

Any artist who schedules a performance in Israel is subjected to a constant flow of false and inflammatory pressure by supporters of the cultural boycott who attempt to manipulate them into canceling their show. They accuse Israel of apartheid and genocide — accusations which can be proven false with even a modicum of research — using and abusing the struggles of others, and the emotional responses they trigger, in their battle against the Jewish state.

Though it often presents itself as a movement working to achieve Palestinian rights, to the founders and the leaders of the BDS movement, it is merely a tool to end the existence of the State of Israel. This violent aim is sometimes reflected in the tactics of boycott supporters.

Paul McCartney last performed in Israel in 2008. Though he received intense pressure to cancel his show — including death threats — he went ahead and performed. He is not alone in receiving violent threats from BDS supporters.

English rocker Eric Burdon and Malian musician Salif Keita reported the same. Though Mr. Burdon performed despite the threats, Mr. Keita’s management decided to cancel the show in order “to protect the artist from being harmed personally and professionally” by “a group named BDS, who also threatened to keep increasing an anti-Salif Keita campaign…and to work diligently at ruining the reputation and career that Mr. Keita has worked 40 years to achieve not only professionally, but for human rights and albinism,” according to a statement he released.

In 2014, the Rolling Stones performed for more than 50,000 Israelis — after they stood up to boycott pressure, including a personal appeal from Roger Waters. What is less known is that the seed that led the Stones to perform in Israel was planted by Bob Dylan shortly before his own show in Tel Aviv in 2011.

“Bob Dylan was coming off stage,” Rolling Stones guitarist Ronnie Wood said, “and I asked him – ‘where you going?’ and he said, ‘Israel – we’re going to Tel Aviv! He had a big smile on his face, because he loves it. And I said to him, ‘well, we’ve never done it.’ That planted a seed that I’d like to play it one day. So, here we go…”

Recent Nobel Prize winner Bob Dylan even wrote a song about Israel and its struggle to survive in a tough neighborhood in 1983, criticizing the fact that some characterize the country as the neighborhood bully.  “The neighborhood bully just lives to survive / He’s criticized and condemned for being alive / He’s not supposed to fight back, he’s supposed to have thick skin / He’s supposed to lay down and die when his door is kicked in / He’s the neighborhood bully.”

Neil Young was scheduled to perform only a month after the Stones, in July, 2014. For months, he was subjected to an intense barrage of pressure from BDS supporters — perhaps more intense than the other three combined — also including direct outreach from Roger Waters. To get to Neil, BDS activists manipulated the cause of the First Nations in Canada (a cause close to Neil’s heart), falsely comparing their history to that of the Palestinians and completely ignoring any Jewish connection to the land. The use of emotional triggers to the detriment of fact is a common BDS tactic.

In the end, the choice was not his. Shortly before his scheduled performance, it was canceled by the Israeli security services “in order not to put people in Gaza rocket range at unnecessary risk,” as thousands and thousands of rockets were fired toward Israeli population centers by the terrorist organization Hamas in the Gaza Strip.

“It is with heavy hearts and deep sadness that we must cancel our one and only Israeli concert due to tensions which have rendered the event unsafe at this time,” a spokesman for Neil Young said. “We’ll miss the opportunity to play for our fans and look forward to playing in Israel and Palestine in peace.”

We at Creative Community for Peace (CCFP), an organization comprised of prominent members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel, applaud The Rolling Stones, Bob Dylan, Paul McCartney, and Neil Young for their willingness to stand up to boycott pressure and perform for their fans in Israel.

Hundreds of artists do the same every year, creating spaces for Arabs and Jews, religious and secular, left and right to come together, sing together, dance together, and perhaps just lay down one more brick on the path to peace.

Roger Waters, on the other hand, continues to lend his voice to a movement dedicated to keeping Jews and Arabs apart and ultimately to dismantling the State of Israel. He compares Israel to Nazis and Nazi collaborators, an ugly and libelous attack, describes the country as a “systematic racist apartheid regime,” and talks about classic anti-Semitic tropes such as the “Jewish Lobby.”

We hope that Roger will be positively influenced by his colleagues, cease spreading untruths and misinformation that only fan the flames of conflict, and rather use his considerable voice to unite.

Read the original article at The Jerusalem Post. 

CCFP GETS BILLBOARD TO RETRACT INFLAMMATORY ARTICLE

Billboard ran a story earlier in the week about the first ever Palestine music expo with many factual inaccuracies, including referring to Ramallah, Haifa and Jerusalem as “three Palestinian cities,” and  referring to the “sovereign state” of Palestine. A few of our board members wrote to Billboard calling for a correction, which the website did make. See our letter to the editor & the original article below.


 

Lettor to the editor:

In Billboard’s 10/3 story, ‘Palestine Music Expo, with Cooking Vinyl and Glastonbury Co-Sign, Looks to Draw Attention to a Burgeoning Industry,’ writer Richard Smirke refers to Palestine as a ‘sovereign state’ and further cites the ‘…Palestinian cities Ramallah, Haifa and Jerusalem.’ While the current situation in Israel can often be complex and impassioned, these two statements are blatantly false and incendiary. To casually drop such confrontational terminology into a soft-news piece is not only politically insensitive but also journalistically irresponsible.

As a Co-founder of Creative Community For Peace, we applaud and support any arts festival in Israel that brings artists and audiences together in music, creativity and constructive dialog. However, we find the use of such antagonistic terms to be disturbing. We may not all share the same politics or the same opinion on the best path to peace between Palestinians and Israelis, but we do agree that cultural boycotts (advocated by many Palestinians against Israel) and combative semantics will not advance hopes for diplomatic co-existence.

Furthermore, the article neglects to explore – or even mention – the Palestinians well-documented policy of ‘anti-normalization,’ whereby Palestinians are encouraged and/or threatened not to play with Israelis, and international acts that play in Israel are not welcomed to Palestinian territories. “Anti-normalization,” explains Haaretz, “seeks to police all interactions between Israelis and Palestinians, and, as such, disrupts programs that it perceives as being unaligned with its agenda. This makes life particularly hard for those of us in the ‘people-to-people’ community – who bring Jews and Arabs, Israelis and Palestinians together in school, agricultural, high-tech and advocacy programs.”

Independent artists including Madonna, Elton John, Santana, Alicia Keys, One Republic, Robbie Williams, Rihanna, Alanis Morissette, Alicia Keys, Macy Gray, Paul McCartney, Baaba Maal, Black Eyed Peas, Missy Elliot, Metallica, Linkin Park, Lady Gaga, Seal, Erykah Badu and many others have refused to bow to pressure from such organizations, and have enthusiastically performed – to audiences of every nationality – in Israel. We also don’t see any inclusion of Israeli artists who have collaborated with Muslim and Arab musicians and promote co-existence, such as David Broza or Idan Raichel. CCFP would welcome the opportunity to discuss our ongoing efforts to support and encourage these artists, promote the arts as a means to resolution, and correct the aggressive misinformation of movements like BDS (the boycott Israel movement).

We respectfully request that Billboard correct the misstatements described above and allow us to present the other side of this discussion – one of which you were apparently not aware – in the interests of fair journalism, freedom of artistic expression, and promoting positive dialogue that can continue to build bridges.

Creative Community for Peace (CCFP) is an organization dedicated to promoting the arts as a bridge to peace and to countering the cultural boycott of Israel. CCFP is comprised of people from a cross-section of the cultural world who represent a broad range of opinions on politics and on the best path to resolving the conflicts between Palestinians and Israelis. But we all agree that singling out Israel as a target of cultural boycotts will not further peace.


 

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BDS exploits artists like Brian Eno

Out of solidarity with the Boycott, Divestment, and Sanctions (BDS) campaign against Israel, British musician Brian Eno has refused permission for an Israeli dance company to use his music, citing alleged efforts by the Israeli government to misuse artists to whitewash its crimes.

Mr. Eno’s action is the latest outcome of longstanding efforts by BDS activists to influence artists, to gain legitimacy and amplify their message by preying on artists’ natural affinity for those perceived as victims and appealing to a call for “human rights” for the Palestinians.

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Mr. Eno surely has noble intentions, hoping, as we do, for an end to conflict and the realization of a true peace based on justice. He most certainly believes that his actions will lead to this long-desired outcome. But we at Creative Community For Peace (CCFP) can’t help but wonder if he is aware of the true aims of the movement with which he has joined forces.
Omar Barghouti, a co-founder of the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), the cultural wing of the BDS movement, has explicitly stated that the end of the occupation of the Palestinian territories, which many people believe to be the end goal of BDS, would not end calls for boycott.

Instead, BDS demands the full “right of return” for Palestinian refugees and their descendants to homes that were vacated in 1948. This, Mr. Barghouti has pointed out, would result not in a Palestine next to an Israel, but rather a “Palestine next to a Palestine.” In other words, the end of the State of Israel and Jewish self-determination.

Thankfully, major artists supporting BDS are few and far between. Hundreds of international artists, including Sia, Justin Timberlake, Rihanna, Lady Gaga, Elton John, Alicia Keys, One Republic, Paul McCartney, The Rolling Stones, Madonna, Dionne Warwick, The Black Eyed Peas, Justin Bieber, and many, many others have and will continue to perform in Israel and raise their voices loudly for peace.

In response to Mr. Eno, Batsheva’s artistic director and frequent critic of the Israeli government, Ohad Naharin, wrote: “If boycotting my company would help the Palestinian people, then I would boycott my own show. If the boycott of my work could bring a peace treaty, I would be the happiest person in the world. But I know it would be useless.”
We, and the more than 30,000 people who have signed our anti-boycott petition, could not agree more. BDS does not help Palestinians and will not bring peace.

The BDS movement is anti-peace and anti-coexistence. Through its anti-normalization campaign, it aims to keep Israelis and Palestinians apart, never giving them the chance to gain understanding of and empathy for one another, though both are crucial requirements for realizing true peace based on justice.

We believe art and music, through their ability to unite, can help bring this true peace to fruition. We are deeply saddened to see an artist such as Brian Eno support the BDS movement and deny his music to Batsheva.

We hope Mr. Eno will reflect on the fact that the Israeli government would fund a dance company led by a fierce critic of its policies, that the company would then choose to use music created by a fierce opponent of Israel, and then just maybe come to the conclusion that Israel is an imperfect but strong democracy worthy of engagement rather than boycotts.

Peace depends on it.

Original article in Jerusalem Post.

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