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The organization has spent the last 21 months pushing back against misinformation, disinformation, and intimidation as anti-Israel sentiment and antisemitism continue to take center stage.
By: KELLY HARTOG
JULY 13, 2025 05:17
LOS ANGELES – Long before British punk rock act Bob Vylan took to the stage at Glastonbury in the UK and led thousands of festival attendees in rousing chants of “Death, Death, to the IDF,” the Creative Community for Peace (CCFP) staff was on the case. The blatant death threats and calls to violence, which were amplified by Irish rappers Kneecap, who also whipped the crowd into a frenzy, chanting “Free Palestine” while waving a Hezbollah flag, shocked Israelis and Jews across the world. Kneecap had already garnered headlines back in April after performing at Coachella in Southern California, where it projected on a screen: “Israel is committing genocide against the Palestinian people. It is being enabled by the US government, who arms and funds Israel despite their war crimes. F*** Israel; free Palestine.”
The realities of terror support in the arts
Ari Ingel, executive director of the Los Angeles-based nonprofit CCFP, however, remained unsurprised. CCFP comprises prominent members of the entertainment community who promote the arts as a bridge to peace, educate about rising antisemitism in the industry, and galvanize support against the cultural boycott of Israel. Ingel and his team had warned festival organizers for months about both groups.
“We knew about Kneecap’s support for Hamas and Hezbollah as far back as February,” Ingel told The Jerusalem Post. “We contacted venues. We even reached out to Coachella and Glastonbury. Our warnings were ignored.” Despite this, CCFP’s covert actions successfully led to Kneecap’s US visa cancellation following their Coachella appearance, and their actions further led to Kneecap’s agency and Bob Vylan’s management severing ties. “We don’t want to stifle expression,” Ingel explains, “but when artists cross the line into supporting terrorist groups or inciting violence, there must be consequences.”
CCFP was founded in 2012 by Universal Music’s David Renzer and Worldwide Executive and President of Music for Electronic Arts (EA) Steve Schnur. The early focus was on combating boycotts of artists who performed in Israel. At the time, global musicians were inundated with pressure to cancel shows. “There was no balance in the discourse,” Ingel says. “Artists were being harassed into canceling without understanding what they were being asked to support.”
Over the past 13 years, CCFP has expanded its mission to include educating industry professionals about antisemitism, building bridges between Jewish and other communities, and countering the broader cultural boycott of Israel. “What makes us different is that we’re insiders,” Ingel shares. “This industry only listens to people it knows and trusts. That’s why we’ve built a peer-to-peer model. “The nonprofit’s advisory board helps make that happen. Its board members include top-tier industry figures, including the CEO of Warner Music, the president of Virgin Records, and the former CEO of Paramount Pictures. “It gives us access,” says Ingel. “When issues come up, we know who to call. ”CCFP also knows how to get things done quietly behind the scenes.
“We’re not in the game chasing headlines,” Ingel said. “We’re about impact.” That impact quietly affected the set of the hit ABC Network show, Grey’s Anatomy. In 2023, actor Jesse Williams, who played popular doctor Jackson Avery, publicly posted antisemitic statements on his social media. Despite leaving Grey’s Anatomy officially in 2021, the show planned for Williams to direct several episodes in 2023. When studio HR departments failed to respond to complaints, CCFP stepped in. “We reached out to ABC leadership directly,” Ingel shares, noting that many crew and cast were uncomfortable with Williams’ statements. “They weren’t even aware of what was happening, but they took it seriously and addressed it immediately.”
CCFP also worked quietly behind the scenes after music legend Roger Waters ramped up his antisemitic statements and imagery at his concerts. “We went directly to Bertelsmann, the parent company of his publisher, BMG,” Ingel says. “They ended their relationship with him and adopted the IHRA (International Holocaust Remembrance Alliance) definition of antisemitism company-wide. “Beyond addressing issues connected to famous industry names, CCFP continues to fight cultural boycotts of Israeli artists and institutions. “It happens at festivals, in literary circles, and even at LGBTQ film events,” Ingel says. “When filmmakers were pressured to pull out of the [2022] Tel Aviv LGBTQ festival, CCFP rallied support from the likes of Sia, Billy Porter, and Zachary Quinto. Since then, not a single filmmaker has pulled out.”
CCFP also played a key role in defending Israel’s participation in Eurovision and resisting efforts to ban it from international sporting events like the World Cup. “We’re the counterbalance,” says Ingel. “We’re here to make sure there’s always another voice in the room. “However, the October 7, 2023, Hamas massacre changed everything for the organization, forcing it more into the spotlight. “We knew the initial goodwill toward Israel wouldn’t last,” says Ingel. Indeed, five days after the attack, CCFP released a landmark open letter, signed by over 1,000 industry names (not all Jewish), including Gal Gadot, Helen Mirren, Amy Schumer, and Antoine Fuqua.
The letter condemned the massacre, demanded the release of hostages, and cautioned against spreading misinformation. Then, at the end of October 2023, CCFP launched its #Releasethehostages campaign, where 229 celebrities simultaneously posted about individual hostages. The viral campaign was designed to leverage entertainment leaders’ social media audiences to galvanize international support for the hostages and their families and ultimately to expedite their release from captivity. “People like Zooey Deschanel and Mandy Moore – who had said nothing before – spoke out,” Ingel notes. “Collective action gave them courage.” The organization also arranged trips for celebrities to witness the tragedy firsthand. Debra Messing traveled to Israel months after the attacks, and CCFP also facilitated private forums with hostage families and organized viewings of the Nova exhibit.
Ingel believes that CCFP’s success in an industry renowned for avoiding being seen as pro-Israel is because it is not a traditional pro-Israel PR group. “We don’t do hasbara,” he says. “We are insiders working with other insiders.”
“There’s a perception that Hollywood and the music industry are anti-Israel,” he says, but adds, “that’s not entirely true. Most people just don’t want to get involved. And then there are the quiet supporters who are afraid to speak out. “CCFP, he says, provides a space for those supporters through both dialogue and action. “Post-October 7, we saw a surge. We call them ‘October 8 Jews’– people who always knew they were Jewish but suddenly felt it in a new way, and they were alone. They turned to us.
“The organization has spent the last 21 months pushing back against misinformation, disinformation, and intimidation as anti-Israel sentiment and antisemitism continue to take center stage.
Those efforts have included everything from coordinating open letters and hosting private events to working directly with decision makers, much of which remains invisible. It is precisely this, though, that fuels their success. “If you’re asking how we measure success, it’s not by headlines,” Ingel says. “It’s in the calls that get answered, the events that go on without a problem, and the silent majority who step up and say, ‘I’m with you.’”