Out of solidarity with the Boycott, Divestment, and Sanctions (BDS) campaign against Israel, British musician Brian Eno has refused permission for an Israeli dance company to use his music, citing alleged efforts by the Israeli government to misuse artists to whitewash its crimes.

Mr. Eno’s action is the latest outcome of longstanding efforts by BDS activists to influence artists, to gain legitimacy and amplify their message by preying on artists’ natural affinity for those perceived as victims and appealing to a call for “human rights” for the Palestinians.

Be the first to know – Join our Facebook page.

Mr. Eno surely has noble intentions, hoping, as we do, for an end to conflict and the realization of a true peace based on justice. He most certainly believes that his actions will lead to this long-desired outcome. But we at Creative Community For Peace (CCFP) can’t help but wonder if he is aware of the true aims of the movement with which he has joined forces.
Omar Barghouti, a co-founder of the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), the cultural wing of the BDS movement, has explicitly stated that the end of the occupation of the Palestinian territories, which many people believe to be the end goal of BDS, would not end calls for boycott.

Instead, BDS demands the full “right of return” for Palestinian refugees and their descendants to homes that were vacated in 1948. This, Mr. Barghouti has pointed out, would result not in a Palestine next to an Israel, but rather a “Palestine next to a Palestine.” In other words, the end of the State of Israel and Jewish self-determination.

Thankfully, major artists supporting BDS are few and far between. Hundreds of international artists, including Sia, Justin Timberlake, Rihanna, Lady Gaga, Elton John, Alicia Keys, One Republic, Paul McCartney, The Rolling Stones, Madonna, Dionne Warwick, The Black Eyed Peas, Justin Bieber, and many, many others have and will continue to perform in Israel and raise their voices loudly for peace.

In response to Mr. Eno, Batsheva’s artistic director and frequent critic of the Israeli government, Ohad Naharin, wrote: “If boycotting my company would help the Palestinian people, then I would boycott my own show. If the boycott of my work could bring a peace treaty, I would be the happiest person in the world. But I know it would be useless.”
We, and the more than 30,000 people who have signed our anti-boycott petition, could not agree more. BDS does not help Palestinians and will not bring peace.

The BDS movement is anti-peace and anti-coexistence. Through its anti-normalization campaign, it aims to keep Israelis and Palestinians apart, never giving them the chance to gain understanding of and empathy for one another, though both are crucial requirements for realizing true peace based on justice.

We believe art and music, through their ability to unite, can help bring this true peace to fruition. We are deeply saddened to see an artist such as Brian Eno support the BDS movement and deny his music to Batsheva.

We hope Mr. Eno will reflect on the fact that the Israeli government would fund a dance company led by a fierce critic of its policies, that the company would then choose to use music created by a fierce opponent of Israel, and then just maybe come to the conclusion that Israel is an imperfect but strong democracy worthy of engagement rather than boycotts.

Peace depends on it.

Original article in Jerusalem Post.

Cultural Organization Pushes Back Against BDS by Providing Behind-the-Scenes Support for Artists Planning to Perform in Israel (INTERVIEW)

Despite pressure from the anti-Israel Boycott, Divestment and Sanctions (BDS) movement, Hollywood celebrities and famous musicians are choosing to visit and perform in the Jewish state, the director of an entertainment industry advocacy organization toldThe Algemeiner.

Why Roger Waters fails to sway prominent musicians into boycotting Israel

by Steve Schnur and David Renzer, August 25, 2015; Jewish Journal

Posted on Aug. 25, 2015 at 9:37 am

Last week, the world was exposed to some of the fundamental flaws of the “Boycott Israel” faction known as the Boycott, Divestment and Sanctions (BDS) movement. Sadly, in this case, the victims were artists.

The first incident occurred when Israeli director Roy Zafrani, whose recent films include the internationally award-winning documentary about disabled children, “The Other Dreamers,” was told by organizers of the Norwegian Human Rights Human Wrongs Festival that his work could not be shown unless the film was about “the illegal occupation, the blockade of Gaza or the discrimination of Palestinians.”

“I’m sorry,” wrote founder of the festival’s parent organization, the Oslo Documentary Cinema. “Please let me know if you have documentary films that are dealing directly with the occupation.”

Zifrani, whose film received no Israeli government funding, called the decision “absurd,” saying, “I’m not a political man. I am not responsible for my government’s actions.”

In the second incident – one that was met with worldwide outrage, followed by a public apology and ultimately a victorious performance – the American Jewish musician Matisyahu was asked to provide to the organizers of the Rototom Reggae Festival in Spain a statement or video that expressed “in a very clear way” his positions on Zionism and a Palestinian State after the BDS movement lobbied the festival that the performer was a “Zionist” who justified the Israeli practices of apartheid and ethnic cleansing against the Palestinians.

Calling the request “appalling and offensive,” Matisyahu said, “I support peace and compassion for all people. My music speaks for itself and I do not insert politics into my music.” Stating that “no artists deserve to be put in that situation,” Matisyahu, the only Jewish American singer on the bill, wondered if “any of the other scheduled artists were asked to make political statements in order to perform.” Thousands of Matisyahu fans worldwide were equally shocked and disappointed that he was disinvited from performing. The festival later issued a statement, admitting “that it made a mistake, due to the boycott and the campaign of pressure, coercion and threats employed by the BDS Pais Valencia because it was perceived that the normal functioning of the festival could be threatened. All of which prevented the organization from reasoning clearly as to how to deal with the situation properly.”

We at the Creative Community for Peace (CCFP), an organization comprised of prominent members of the entertainment industry that promotes the arts as a means of building bridges, join the many voices of condemnation of these discriminatory and racist actions that are tantamount to censorship of an artist’s freedom of expression. They expose the extremist views and actions that accompany the BDS movement, from spreading the falsehood of accusations of “apartheid” in Israel, to only supporting the Palestinian right of self-determination while refusing to recognize the same right for Israel.

Rather than recognizing the power of the arts to bring people together, the BDS movement’s radical agenda unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by culture and the arts functioning as a bridge of societies.

Further, in an environment of rising global anti-Semitism, these acts cross the line of acceptable behavior.

While the organizers of the Reggae Festival recognized their bias and discrimination, perhaps it is time for the Human Rights Human Wrongs festival in Oslo – as well as future targets of BDS threats – to do the same.

Steve Schnur is Worldwide Executive and President of Electronic Arts (EA)Music Group and Co-Founder of Creative Community for Peace.

David Renzer is Chair of Spirit Music Group and Co-Founder of Creative Community for Peace. Creative Community for Peace (CCFP) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

Rather than recognizing the power of the arts to bring people together, BDS unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by art.

by Steve Schnur and David Renzer, August 25, 2015; The Jerusalem Post

Last week, the world was exposed to some of the fundamental flaws of the “Boycott Israel” faction known as the Boycott, Divestment and Sanctions (BDS) movement. Sadly, in this case, the victims were artists.

The first incident occurred when Israeli director Roy Zafrani, whose recent films include the internationally award-winning documentary about disabled children, “The Other Dreamers,” was told by organizers of the Norwegian Human Rights Human Wrongs Festival that his work could not be shown unless the film was about “the illegal occupation, the blockade of Gaza or the discrimination of Palestinians.”

“I’m sorry,” wrote founder of the festival’s parent organization, the Oslo Documentary Cinema. “Please let me know if you have documentary films that are dealing directly with the occupation.”

Zifrani, whose film received no Israeli government funding, called the decision “absurd,” saying, “I’m not a political man. I am not responsible for my government’s actions.”

In the second incident – one that was met with worldwide outrage, followed by a public apology and ultimately a victorious performance – the American Jewish musician Matisyahu was asked to provide to the organizers of the Rototom Reggae Festival in Spain a statement or video that expressed “in a very clear way” his positions on Zionism and a Palestinian State after the BDS movement lobbied the festival that the performer was a “Zionist” who justified the Israeli practices of apartheid and ethnic cleansing against the Palestinians.

Calling the request “appalling and offensive,” Matisyahu said, “I support peace and compassion for all people. My music speaks for itself and I do not insert politics into my music.” Stating that “no artists deserve to be put in that situation,” Matisyahu, the only Jewish American singer on the bill, wondered if “any of the other scheduled artists were asked to make political statements in order to perform.” Thousands of Matisyahu fans worldwide were equally shocked and disappointed that he was disinvited from performing. The festival later issued a statement, admitting “that it made a mistake, due to the boycott and the campaign of pressure, coercion and threats employed by the BDS Pais Valencia because it was perceived that the normal functioning of the festival could be threatened. All of which prevented the organization from reasoning clearly as to how to deal with the situation properly.”

We at the Creative Community for Peace (CCFP), an organization comprised of prominent members of the entertainment industry that promotes the arts as a means of building bridges, join the many voices of condemnation of these discriminatory and racist actions that are tantamount to censorship of an artist’s freedom of expression. They expose the extremist views and actions that accompany the BDS movement, from spreading the falsehood of accusations of “apartheid” in Israel, to only supporting the Palestinian right of self-determination while refusing to recognize the same right for Israel.

Rather than recognizing the power of the arts to bring people together, the BDS movement’s radical agenda unfortunately promotes the further separating of peoples whose chances for a peaceful future could only be enhanced by culture and the arts functioning as a bridge of societies.

Further, in an environment of rising global anti-Semitism, these acts cross the line of acceptable behavior.

While the organizers of the Reggae Festival recognized their bias and discrimination, perhaps it is time for the Human Rights Human Wrongs festival in Oslo – as well as future targets of BDS threats – to do the same.

Steve Schnur is Worldwide Executive and President of Electronic Arts (EA)Music Group and Co-Founder of Creative Community for Peace.

David Renzer is Chair of Spirit Music Group and Co-Founder of Creative Community for Peace. Creative Community for Peace (CCFP) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

By David Renzer and Steve Schnur, June 28, 2015

(as published in the Jerusalem Post)

Earlier this year Thurston Moore, the American musician best known for his time in Sonic Youth, canceled his scheduled performance in Israel. No statement was made at the time, forcing observers to guess as to his motives. His recent statement (made in The Quietus, June 22, 2015) expressing support for the cultural boycott movement now makes it clear, and was picked up by more mainstream publications including Rolling Stone, in an article by Daniel Kreps.

But is Moore clear on what the Boycott, Divestment and Sanctions (BDS) movement stands for? Is he aware that supporters of the campaign for a cultural boycott of Israel use misinformation and manipulation to coerce well-meaning artists into supporting their political agenda? He wrote that he decided “to fully acknowledge [his] dedication [to] the boycott until the time comes for it to be unnecessary.” But what does this mean? Until there’s a peace treaty? Until both the Jewish and Palestinian peoples exercise their rights to self-determination and have secure borders? If he’s truly standing by the principles of the cultural boycott campaign, then it does not end here.

According to the guidelines of the BDS campaign, boycott attempts will continue not until the occupation ends, not until both peoples have their own state, but rather until Israel accepts “the rights of Palestinian refugees to return to their homes and properties as stipulated in UN resolution 194.” As defined clearly by Omar Barghouti, a leader and founding member of the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI), “If the refugees were to return, you would not have a two-state solution, you’d have a Palestine next to a Palestine.” In other words, no Israel.

Ultimately, the responsibility to solve the long-standing and tragic conflict rests with the Israeli and Palestinian peoples and their governments. But any solution that does not allow both peoples to determine their own destiny is not a solution based on justice.

We at Creative Community For Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel, believe in freedom of artistic expression and that artists should be raising their voices for peace.

Of course, cultural events are not a panacea, and music and art by themselves will not create a peace treaty, secure borders, an end to terrorism or extremism. But every concert, every opportunity people have to come together, is a step on the path to peace.

It is Moore’s and other artists’ prerogative to choose not to perform in Israel. We at CCFP lament this decision, and offer artists a chance to engage positively on the issues that matter to them, while creating a cultural exchange that history has proven is far more effective at ending conflicts than weapons. But when Moore and others schedule concerts and then cancel them in this fashion, the people punished are the very Israelis most inclined toward progressive engagement.

Why not play in association with cultural institutions which promote equality? Or make a point of teaching a music lesson at one of the groundbreaking 50-50 Arab/Jewish school in Israel? Or meet and sing with a youth chorus comprised of Israeli and Palestinian high school students? Why not speak about his concerns, but from inside the country, from the stage, doing what he has done for a lengthy acclaimed career? Any thoughtful comments he might have made — before, during, or after his concert — would have certainly gotten media attention and had an impact. But because he has refused to perform and spend time in Israel his comments cannot have the same personal weight, feeling and value they might have. His words now belong to the BDS movement.

Moore, as a prominent musician, could do a world of good by traveling to Israel and bringing Jews and Arabs together through his music. We hope Moore will reconsider his decision to support the boycott campaign, and instead contribute to peace.

David Renzer, Chairman of Spirit Music Group, and Steve Schnur, Worldwide Executive and President of Electronic Arts (EA) Music Group, are co-founders of Creative Community For Peace (CCFP), an organization representing members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

http://www.jpost.com/Opinion/Is-Thurston-Moore-opposed-to-Israels-existence-407420

By Anav Silverman, June 5, 2015, The Jerusalem Post Magazine

Thousands and thousands of screaming fans, including an exceptionally large number of nostalgic mothers, attended the three sold-out Backstreet Boys concerts held in Ra’anana two weeks ago. Peppering their performances with “We love you, Israel!” and adjusting the lyrics of their hit song to “I want it Israel’s way,” the live members of the popular 90s boy band also took the time to tour the country, happily sharing some of their experiences with their adoring fans.

But while Nick Carter, Brian Littrell, AJ McLean, Kevin Richardson and Howie Dorough took center-stage during their performances, a young blond woman by the name of Traci Szymanski was the person working behind the scenes to ensure their Israel visit was a success.

Szymanski, who works in the entertainment industry in Los Angeles, first visited Israel when she was 24, on a Taglit-Birthright trip. Her family on her mother’s side is Jewish, while her father’s side is Catholic. “My first trip to Israel in 2003 made a strong impact on me. Soon after I returned to the US, I felt a very strong connection to Israel on a spiritual, social and cultural level,” she told the Magazine in an exclusive interview. “I had an amazing tour guide on my first trip to Israel, and I chose to have her again as a tour guide for the Backstreet Boys on this trip 12 years later.”

Szymanski’s career in the US has always involved working with celebrities, both as an agent and producer and in the realm of public relations. She says that a substantial percentage of what she does is to work especially with celebrities who want to make a positive difference in the world. “Celebrities can continue to get rich or more famous, but it’s the ones who want to give back to the world who make a mark on it. It became a very natural path for me to merge my worlds of celebrities, entertainment and Israel together,” she revealed.

Other personalities that the Hollywood executive has been involved in bringing to Israel include Paula Abdul, the cast of CSI and Verne Troyer, as well as Madonna, Demi Moore and Ashton Kutcher through the Kabbalah Center. “I’ve always believed it is important for celebrities and people with the power of inluence to see things for themselves. Education is so essential for us to create a better world, and celebrities can be a great tool for sharing a message. When I returned to the US from my first trip to Israel, it hurt me to see all the misconceptions about Israel in the media and what is said by people who are not educated enough to speak. That’s why it became so crucial for me to encourage people to visit and see the country for themselves,” Szymanski explained. “What you rarely see in the media is how Israel contributes to the world in a positive way. As the only democracy in the Middle East, there are many who don’t know about Israel’s work in emergency response for devastated countries, its progress in medicine, technology and promoting human rights while welcoming tourists with open arms. The negative social media, propaganda and poor media reporting has had an influence on people. Ultimately, this only creates more negativity in our world that really needs more good in it. I don’t want people to accept what they hear from these sources.”

Szymanski believes that celebrities who are not educated about Israel and do not know have personal experience with it should not make pronouncements about the Jewish state. “Celebrities and high-profile people must speak and act responsibly, and they need to understand how their messages reach people and what effect they can have. If they are going to create more negativity, they shouldn’t be speaking.”

Referring to the Boycott, Divestment and Sanctions Movement’s campaign to stop international musical artists from performing in Israel, Szymanski says that music and the arts must encourage unity and be used for positive experiences. “The BDS Movement attempts to silence the arts and creates more negativity and conflict. I wish people could see this is not a good direction for anyone, she emphasized. Music can be used to bring people together and help create a better future.”

She cites iconic American music artist Alicia Keys, who responding to BDS pressure against her performance in Israel, declared, “Music is a universal language that is meant to unify audiences in peace and love, and that is the spirit of our show.”

Others like Lady Gaga, who performed in Israel for her second time in September 2014 following the summer war, stated, “Tel Aviv was magnificent. The world view of Israel is just not reality. It’s in a beautiful place; the people are in good spirits. I had a very emotional show with those fans – it was wonderful.”

And progressive rock music pioneer Alan Parsons, in responding to demands by Pink Floyd’s Roger Waters that Parsons reconsider his Tel Aviv performance in February, told another organization that Szymanski is involved with, Creative Community for Peace, that “Music knows no borders, and neither do I. [The] language of music has nothing to do with the language of politics. I have no aspirations towards political statements, contrary to what certain musicians do.”

As for the Backstreet Boys, Szymanski has been good friends with members of the group for many years. “I’ve been close friends with some of the guys in the Backstreet Boys group since 1998. After I first visited Israel, I began talking to them about it. I actually started talking to everyone about it! “I began encouraging all the artists and celebrities I know to go visit.” According to Szymanski, the Backstreet Boys have long wanted to visit Israel, but the timing had always been off. Even this visit was paved with previous challenges, as the group was forced to cancel its original summer show in 2014 due to Operation Protective Edge. “They promised they would reschedule when it was possible, and I knew they would,” said Szymanski.

Upon arriving in Israel from a concert tour in Australia, Szymanski created an itinerary for them, giving the band a taste of Israel within the short time they had. “With three sold-out shows, it was not easy to show them the entire country!”

The Backstreet Boys ended up touring Jerusalem, Tel Aviv-Jaffa, the Dead Sea, the Galilee and Lake Kinneret. “I could see the guys were really engaged while sightseeing; they truly wanted to learn about the country. From a historical, spiritual and social perspective, they each were impacted in a different way,” Szymanski enthused. “Take a look at their posts on Twitter and you will see that each of them made a genuine connection with the county.”

Indeed, during one concert, Backstreet Boys singer McLean gave Szymanski a shout-out, thanking her for making the band’s first trip to Israel “unforgettable and for the mind-changing experiences and warm welcome.”

And in a statement emailed to the Magazine, Backstreet’s Dorough wrote that “we truly had the most amazing, spiritual, enlightening trips of our lives visiting Israel. We can’t wait to come back again soon to visit this beautiful Holy Land. Thanks again to Traci for making this such a special experience for all of us.”

Other contributions to Israel Szymanski has made include her involvement with the Friends of the IDF gala dinner last November. Working with billionaire media mogul Haim Saban, they were able to bring in dozens of celebrities, magnates and high-profile figures, including Oracle’s Larry Ellison; philanthropists Sheldon and Miriam Adelson, and Michael and Susan Dell; brothers Maurice and Paul Marciano of Guess Jeans; Steve Tisch, famed producer and chairman of the New York Giants; singer Ricky Martin; composer/songwriter David Foster; the Canadian Tenors; “governator Arnold Schwarzenegger; diva Barbra Streisand; actors Sylvester Stallone and Chris Tucker; actresses Pamela Anderson and Joanna Krupa; model and entrepreneur Kathy Ireland; and professional basketball player Jordan Farmar. Over $33 million was raised for the FIDF, including a $150,000 donation from superstar TV talent judge Simon Cowell.

Szymanski is also involved with Creative Community for Peace, an organization representing members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

Reflecting on her success in her pro-Israel initiatives and projects, Szymanski says that people of all races, religions and backgrounds can relate to her. “I am heavily involved in pop culture, and not the picture of what people label as stereotypically Jewish. I traveled to Israel over 25 times, saw the country for myself with a completely blank slate and then was able to share my own experiences. I will continue doing these trips in the future as long as I have the right partners in Israel to do them with,” she vowed. Whether it is bringing celebrities out for shows, ad campaigns or just to visit, it’s important to continue.” 

 Read the original store here- http://www.jpost.com/Magazine/Golden-girl-405031 

Music industry comfortably numb to Roger Waters’ bigotry

http://www.bet.com/news/global/2013/07/29/commentary-israel-s-detractors-must-stop-politicizing-art.html