Creative Community for Peace (CCFP), an apolitical organization made up of  prominent members of the entertainment industry that’s dedicated to promoting the arts as a means to peace in the Middle East, will honor several music business executives at its second annual Celebrating Ambassadors of Peace  gala. More than 200 top entertainment industry leaders are expected to attend the event, which will be held Sep. 26 at the Holmby Hills home of CCFP board advisor and noted entertainment attorney Gary Stiffelman, whose clientele has included Justin Timberlake, Eminem and Yo-Yo Ma.This year’s honorees are Aaron Bay-Schuck, CEO and co-chairman of Warner Records; Jacqueline Saturn, president, Caroline Music/CMG; Troy Carter, founder of Q&A and Atom Factory; Walter Kolm, former president of Universal Music Latino; and Grammy Award-winning musical artist Ziggy Marley. In 2018, CCFP honored Scooter Braun, founder of SB Projects whose clients include Justin Bieber and Ariana Grande, Geffen Records President Neil Jacobson and Aton Ben Horin, Global vice president of A&R for Warner Music Group.Sponsors of the gala, which will feature several live musical performances, include Sony/ATV, EA Music and BMI. Variety is the event’s official media sponsor.Chosen for their collective commitment to championing artistic freedom and advancing the idea that music and the arts are a powerful force for building cultural bridges, the Ambassadors for Peace honorees are dedicated to advancing coexistence between Israelis and Palestinians and creating a better future for all.

“Creative Community for Peace was founded by entertainment industry executives on the principal that music and the arts can be a unifying force to bring people of different backgrounds together. We also believe that a cultural boycott of Israel does not further the prospects for peace,” says CCFP co-founder David Renzer and director Ari Ingel.

“Music and all creative art forms have the unique ability to pierce through cultural barriers, reshape perspectives, and create common ground,” says Saturn. “CCCP bridges divergent communities, enabling them to find a common voice. Now more than ever, the creative community must take a courageous stance against those that seek to divide rather than unite. I am proud to be in a position to empower artists from many different backgrounds to help us get to ‘higher ground.’”

Kolm, whose current clients Maluma, Carlos Vives and Wisin have all performed concerts in Israel, asserts that he is “a firm believer in the power of music to bring people together.”

“Our artists are always embraced [in Israel[ with enthusiasm and love in such a way that truly shows that music crosses all cultural and national boundaries to unite us,” he adds.

Ziggy Marley, who has played to crowds in Israel many times, proffers that “we all should use our voices, music, and art in the struggle for justice, love, and peace for all human beings of all races, religions, and ethnicities.”

Carter first visited Israel when he was managing Lady Gaga, who played to a sold-out crowd in Tel Aviv in Sept. 2014, affirming, “the world view of Israel is just not reality.”

“There is no better way to bring people of different backgrounds together than through the arts,” says Carter. “This is why I share the vision of Creative Community for Peace and am proud to receive their Ambassador of Peace award.”

A limited number of tickets for the Celebrating Ambassadors for Peace gala are available for purchase at the CCFP website.

*See article here.

Israel’s cultural exports are stronger than ever, with television, food and even celebrities making inroads overseas. But do they really have an impact?

BY AMY SPIRO  JUNE 22, 2019

GAL GADOT waves to fans at the MTV Movie and TV Awards in Santa Monica, California, last week. Do any of them care that she’s Israeli?. (photo credit: MIKE BLAKE/ REUTERS)

She’s regularly touted as a better ambassador for the State of Israel than the hundreds of Israeli diplomats stationed around the world. And she’s arguably the most famous Israeli face on the planet.

But do Gal Gadot and Israel’s increasing cultural visibility really improve its image in the eyes of the world? Can the success of Israeli television, films, music and food move the hearts and minds of the average onlooker?

The Israeli government certainly seems to think so. 

The government, in particular the Strategic Affairs Ministry led by Gilad Erdan, has ramped up the fight against the Boycott, Divestment and Sanctions movement in recent years. The ministry has made its attempts to counter the online boycott movement a centerpiece of its activities. 

Recently, Haaretz reported that Erdan has recruited the Mossad to aid in its activities against the boycott movement.

Mossad or no Mossad, Israeli cultural creations are spreading across the globe at a rapid rate. 

This week HBO launched Euphoria, a much buzzed-about remake of an Israeli show from 2012. This fall ABC is slated to air The Baker & The Beauty, a remake of the popular Israeli romcom by the same name. 

And with the rise of Netflix and its love of foreign TV shows, original Israeli creations are reaching millions of new fans around the world. Fauda was one of the first original Israeli shows to garner real traction overseas. Now, viewers are gobbling up Israeli creations like When Heroes Fly and Shtisel.

An article in Variety last week spotlighted actors from those shows who are now on the rise in Hollywood after that exposure, including Tomer Capon from Fauda and When Heroes Fly, Michael Aloni from When Heroes Fly and Shtisel, and Ninet Tayeb, a singer who also starred in When Heroes Fly.

Israeli chefs – Eyal Shani, Assaf Granit, Meir Adoni and more – have opened eateries around the world, winning praise and awards in culinary capitals such as Paris, London and New York.

And with the Eurovision Song Contest in the rearview mirror and a slate of high-profile concerts – including Bon Jovi, Jennifer Lopez, Lionel Richie and Sean Paul – coming up this summer, the BDS movement is having a particularly unsuccessful year.

BUT HOW much does any of this really impact Israel’s public image? Can Gadot, Fauda and Eyal Shani’s roasted cauliflower in a pita win over those who feel negative – or even neutral – about the Jewish state?

“I’m not sure how much Gal Gadot changes the overall image just by being a big star, but I think her meeting other big actors, executives, entertainers on a personal level – I think that can only help,” said Ari Ingel, an attorney and the director of the Creative Community for Peace (CCFP), a nonprofit that works to counter boycott efforts against Israel. 

“The more people you have like Gal Gadot or even like Dennis Lloyd [the stage name of popular Israeli musician Nir Tibor] – when they’re at film festivals, when they’re at Cannes, when they’re on set, when they’re performing at Coachella, when they’re mixing with people that do have a lot of outreach… [people are] meeting an Israeli and seeing what an Israeli is about.”

Shayna Weiss, a scholar of Israeli culture and the associate director of the Schusterman Center for Israel Studies at Brandeis University, said this is a classic question of “soft power.” 

The political science term refers to the ability to influence minds and hearts through noncoercive means, typically through culture, foreign policy and economic influence.

“The question, of course, is how you measure soft power, and can you measure it,” Weiss said. “I don’t think Gal Gadot harms Israel, but do I think Gal Gadot helps Israel much? Not so sure.”

Weiss pointed out that – especially with individual celebrities – there is a risk to the Israeli government in pointing to their success as a diplomatic win. 

That was particularly clear earlier this year, when Gadot came to the defense of her friend Rotem Sela, in an online spat with Prime Minister Benjamin Netanyahu over campaign rhetoric against Israeli Arabs.

“Gal Gadot is not stupid, she’s a very intelligent person, and therefore when she speaks and when she doesn’t speak… she knows exactly what she’s doing,” Weiss added. “She’s saying to Bibi, to Israeli hasbara (public diplomacy): You want to claim me, but ‘I’m not your toy.’”

Ingel said that Israel racks up a lot of cultural wins, but sometimes even more so when the government is not involved.

“In our work on the cultural boycott, they aren’t very present.” he said. “Because they don’t have those connections… the government just doesn’t have the contacts or connections or even the clout to talk to” managers, agents and lawyers of A-list Hollywood stars. “The music industry – the entertainment industry in general – is very insular and very small. That’s what makes CCFP unique. Because our advisory board is made up of some of the biggest people in the film, TV and music industry, it allows us to connect to artists in the way that the government isn’t able to do.”

WHILE BDS activity is only growing stronger in recent years, Israel also continues to notch cultural wins at rapid rates. 

A wide range of celebrities have touched down in Israel over the past year for public and private visits, including Neil Patrick Harris, Sarah Jessica Parker, Jason Biggs, Will Ferrell, Gerard Butler, Jamie Oliver, Quentin Tarantino, Mario Lopez, Liev Schreiber, Karlie Kloss, Kate Upton, Gordon Ramsay and Morgan Freeman.

Artists including Madonna, Tyga, Enrique Iglesias, Alanis Morissette, Clean Bandit, the Backstreet Boys, Ozzy Osbourne, Ziggy Marley, Jason Derulo, Bill Burr, Chris Rock, Jerry Seinfeld, Jimmy Carr, Jim Jefferies, Jeff Ross and dozens more have performed for Israeli audiences recently. And each visitor and gig only enrages the BDS movement further.

But Weiss isn’t convinced these visits – even when accompanied by positive social media posts depicting Israel for millions of fans – have a real, long-term effect.

“This type of engagement is somewhat shallow; it’s thin,” she said. “It doesn’t stand up to serious discussion about Israeli challenges.” She reiterated that it is very difficult to measure the impact, but “if success is people seeing a picture of the shuk and thinking, ‘yummy, I like Israeli food’… there’s a shallowness in that language.”

Even when Americans and Europeans watch shows like Fauda and Shtisel on Netflix, the engagement is superficial, she said.

“You’re still talking about the show, you’re not talking about the actual country and the actual conflict,” Weiss said of Fauda, arguably the most popular original Israeli show in the world. “While Fauda is very Israeli, the very basic plot – good guys versus bad guys – is not a unique plot in popular television.”

But Ingel takes a more positive view of the show’s effect.

“A show like Fauda is sort of like its own Gal Gadot,” he said. “The more entertainment, film and artists that come out of Israel, it can only have a positive impact. It’s breaking down that barrier of people understanding – people who have never been to Israel, just hear what’s in the news – seeing the sort of the art that’s coming out of Israel.”

Undeterred, the boycott movement has targeted the cultural realm in an outsized way over the past several years, and has found some success.

“They have a very good narrative in Western countries that they’ve certainly locked on to,” said Ingel of the global campaign. “By conflating it – especially in America – with the struggles of African-Americans and social justice issues… they use very nuanced language.”

Ingel surmises that the BDS movement has focused in particular on the cultural realm because of its failures elsewhere.
“They’ve been unsuccessful in big business – I don’t think they’ve made much impact at all,” he said. “Google and Intel are flooding into Israel. So I think the BDS movement has found they have had some successes in the college campus space and the cultural sector, so they’re just focusing more efforts there.”

Ingel pointed to major wins for BDS with the cancellation of concerts in Israel by Lorde and Lana Del Rey. He noted that younger artists in particular are more susceptible to the bombardments on social media that are the hallmark of the boycott campaign.

But he believes some counteractions only end up amplifying the boycott message.

“I think a lot of people get bogged down in the boycott movement, when the reality is that most Americans don’t even know what BDS is, and what the boycott movement is,” he said. “It’s not impacting the masses.”

While the Eurovision in Tel Aviv last month was subject to incessant campaigns and intense media coverage of boycott efforts, it went off smoothly and was watched by 182 million viewers, according to the European Broadcasting Union.

“In the end no artists dropped out and no broadcaster pulled out,” Ingel said of the song contest. “On social media any comments about BDS were drowned out by thousands of people just enjoying the show.”

It’s clear that Israel has notched considerably more wins against the BDS movement in recent years than losses. 

But as to whether it translates into more global support and understanding for Israel – that may take more than Wonder Woman to ascertain.

Original Article

By: Malina Saval, Variety

The group included Vector’s Ken Levitan, S-Curve Records’ Steve Greenberg and Warner Music Group’s Aton Ben-Horin, among others.

This past weekend, squeezed between a string of Eurovision Song Contest parties, Tel Aviv’s posh Norman hotel played host to an intimate, invite-only dinner of music industry delegates from the United States. The rooftop-set event was designed as a highlight on the itinerary of the Creative Community for Peace (CCFP) weeklong trip to Israel. CCFP, an entertainment industry non-profit organization dedicated to promoting music and the arts as a bridge to peace and artistic freedom, brought 15 delegates to Israel for Eurovision week.

Among the guests were veteran manager Ken Levitan, founder and co-president of Vector; Craig Balsam, the co-founder of Razor & Tie; manager James Diener, co-founder of Alignment Artist Capital; Aton Ben-Horin, global vice president of A&R for Warner Music Group’s labels; Dan Rosen, CEO of Australian Recoding Industry Association; and Steve Greenberg, president and founder of S-Curve Records.

The event was organized by Jeremy Hulsh, founder and CEO of Oleh! Records, and doubled as a tribute to Seymour Stein, the Sire Records co-founder and veteran executive. Stein, a longtime supporter of Oleh! Records, was unable to fly in from New York to attend the dinner, but will be present at a party in his honor hosted by the music org, Israel’s chief music export and development office, at the Ace Hotel in downtown Los Angeles on June 19.

“Oleh! Records was founded nearly 15 years ago as a simple idea — to vitally support export-ready and active Israeli and Palestinian musicians to develop opportunities abroad, showcase at music industry events, develop investment opportunities for Israel’s artists, music technology, and as a means to counter the Boycott Divest Sanctions [BDS] movement,” said Stein by way of a letter he wrote to accept his Lifetime Achievement award. “I have seen thousands of incredible talents supported by Oleh! over the years both in Israel and abroad.”

Hulsh, noted Stein, has employed “his talent and networks to build a successful and continual platform for Israel’s music community to thrive at home and abroad. There is great talent here (both Israelis and Palestinians). It might even help toward a peaceful solution. Music has great power and strength.”

“Seymour supporting our cause adds legitimacy and weight to Israel’s music sector,” added Doron Gabbay, general manager of Oleh! Records. “When the man who discovered Madonna and the Ramones says he believes in your organization and in Israeli musicians, it means a lot.”

The dinner provided an opportunity to not only fete Stein, but the work that Oleh! and its annual Tune In Tel Aviv music conference has achieved in putting Israeli artists on the global map. Said Gabbay: “We aim to ensure that the robust, talented community of Israeli musicians are able to overcome Israel’s small population and geo-political situation to attain opportunities that have previously been out of reach.”

Balsam (pictured above, at right, with Hulsh), who is a board member of CCFP, spoke of how the Eurovision-timed mission to Israel underscored the imperative need to maintain a creative space in which artists can freely express themselves — regardless of their home countries’ government and policies.

“It’s important for artists to exchange ideas, it’s crucial to understand each other,” said Balsam. “We are the anti-boycott and we believe that artists should play everywhere.”

“We believe in the power of artists to affect lives and effect change,” echoed CCFP national director Ari Ingel. “Collaborating with Tune In Tel-Aviv and Oleh! Records to bring together artists from all different backgrounds in Israel and the Palestinian Territories — black, white, Arab, Jewish, Christian and more — truly works to further greater understanding between these
different communities.”

To that end, following the dinner, guests headed to Tel Aviv hotspot Teder for a showcase featuring such Israeli acts as singer-songwriter Noga Erez and A-wa, a Yeminite-Israeli band made up of sisters Tair, Liron, and Tagel Haim.

Erez, whose debut album “Off the Radar” received rave reviews when it was released in Israel in 2017, and whose single “Dance While You Shoot” was used in an Apple computer campaign that same year, performed an hour-long hip-hop-heavy set for some 600 fans in attendance.

“We’ve been working with Noga for years,” said Hulsh of the choice to add her to the line-up. “She was absolutely the right artist to showcase for the international industry we had attending because she represents the cutting edge of Israeli musical talent and has her hand firmly planted on the proverbial button of Israel’s pop cultural scene.”

A-wa (pictured above), whose moniker comes from the slang word meaning “yes” in Arabic, was discovered by Tomer Yosef, lead singer of Balkan Beat Box. Known for its mix of traditional Yeminite music, hip-hop and electronica, the trio’s single “Love of my Heart,” nabbed international attention back when it was released in 2016. The band is now signed to S-Curve records, with a new album dropping this summer.

Their mission: to bring Israeli music to the global stage as a way to promote inclusiveness and diversity amongst all types of people and ethnicities.

“We wanted a name that would be very positive, that would represent our music and also something that people could say to others that sounded positive,” said the sisters. “The whole A-wa experience is about bringing people together and embracing our many identities and celebrating life.”

Original Article

By Kelly Hartog, J Post

LOS ANGELES – In 2008, a 24-year-old singer by the name of Hind Laroussi Tahir represented the Netherlands at the Eurovision Song Contest in Serbia. She didn’t even make it to the semifinals.

But 10 years later that singer – who now simply goes by the name Laroussi – is living in Los Angeles; hit the American Billboard’s Top Dance Music Chart at No. 5 in December 2018 with her single “Lost,” and is about to launch her first English-language album.How To Turn Your Smartphone Into a Smart Glucose-Meter (Dario)

Will she follow in the path of international stars such as ABBA and Celine Dion, who got their first worldwide exposure at the annual competition? It’s a matter of luck and talent, but the Eurovision ladder to success sure doesn’t hurt.

While Laroussi has been a star in her native Netherlands for years (she placed third in her country’s version of American Idol in 2003 and has released three albums there), she said her success in the United States after moving here three years ago would not have been possible without her Eurovision experience.

“The exposure I got helped my career 100%,” she said. “First of all, I gained a lot of fans, but most of all it was one of the best learning experiences on how to prepare yourself to be on such a big stage; how to deal with nerves; the large amount of interviews and press conferences.”

Laroussi got her big US break through singer/songwriter Philip Lawrence, who had just finished rehearsing with Beyoncé and Bruno Mars for the 2016 Super Bowl halftime show when he met her.

“When I talk about Eurovision here in the States, I always compare it to the Super Bowl, to let Americans know how big it is,” Laroussi said.

Today, Laroussi is managed by Adrian Miller, who has a long history in the industry, and who is responsible for the meteoric rise of Anderson Paak, who won a Grammy this year for his rap single “Bubblin.” Miller also helped launched the careers of dozens of other artists, including Flo Rider, Sugar Ray and Korn.

The Eurovision Song Contest, Miller said, “absolutely came to light by way of [my] relationship with Laroussi. It tells the story that you can reach an executive by any means necessary all the way in Los Angeles.”

Miller said he believes the value in Eurovision is similar to the value American Idol, America’s Got Talent and The Voice had. “It’s now a new format and an opportunity for the common folk to become involved in the industry,” he said.

And while he believes that Eurovision is very much a part of Laroussi’s own story “with respect to the navigation of her path and journey,” he added, “It’s not like I’m looking at Eurovision on a regular basis, but I’m not running from it either.”

When it comes to discovering new talent, Miller said, “We, as Americans, have to look at the platforms in Europe when we are thinking about breaking out artists here. Music is pretty much something that flows on any continent.”

Miller said he is someone who likes to try to break in artists from outside the US, and Eurovision could be an opportunity for something like that.

“But it’s a little tricky,” he said, “because it’s not like programming that anybody can participate in.”

However, he added, thanks to Laroussi, there is a track record. “She’s created a gateway. Why would you discover gold and not look to see if there were other natural resources available? I’m a miner of sorts. I mine talent. I should be all over the globe doing it.”

THAT SENTIMENT is something that David Renzer and Ari Ingel agree with. Renzer is the former chairman/CEO of Universal Music Publishing Group. He is co-founder of Creative Community for Peace, and Ingel is the organization’s director.

CCFP was established in 2012 and is an entertainment industry nonprofit organization that represents a cross section of the creative world dedicated to promoting music and the arts as a bridge to peace, while supporting artistic freedom and countering the cultural boycott of Israel.

“The entertainment industry is very interested in seeking out talent wherever it is,” Ingel said, “whether it’s Europe or the UK or even some African artists who have recently been making a lot of noise. Drake has been influential in bringing [Nigerian artist Wizkid] to light.”

Nonetheless, Ingel said it’s important to note that the Eurovision contest is very much a pop-driven contest, “and it’s a different sort of sound that they have in Europe: Europop.”

Ingel’s introduction to the contest came through a client of his – Fredrik Thaee – who cowrote and produced the Danish song “Rainmaker” for Emmelie de Forest, who won Eurovision for Denmark in 2013.

“When Frederik showed me the impact [“Rainmaker”] had in Europe and he showed me the tens of millions of views on YouTube it had, it really struck me,” he said. “I don’t know if it’s something the American music industry is paying close attention to, but they’re getting a greater understanding of it.”

Ingel said he believes the perception about European music is changing because of producers like Thaee and others from Sweden, Denmark, Scandinavia and Germany who have moved to America and are working here. He cited Toby Gad, the German music producer/songwriter, best known for cowriting John Legend’s “All of Me,” Fergie’s “Big Girls Don’t Cry” and Beyonce’s “If I Were a Boy.”

When Netta Barzilai won the contest last year, “that song got some traction here,” Ingel said, “but it’s difficult [for Americans to get really involved], because they’re not seeing the lead-up to it and getting involved in the excitement of it.” It doesn’t help, he added, that you can watch Eurovision in America only via the online stream of an LGBT website.

He and Renzer both noted that what could drive awareness of the competition and its potential this year is that Madonna plans to perform and unveil two of her new songs.

“CCFP is actually bringing a high-level music entertainment executive delegation to Israel, including African-American executives, and they’re going to be touring the country, and that will include attending the finale of the Eurovision contest,” Renzer said. “We’ve timed [the visit] purposefully around Eurovision.”

Ingel added, “Part of it is to show [the executives] the power and size of Eurovision.” Echoing Laroussi’s comments, he said, “Last year, 198 million people watched the Eurovision, and just 110 million watched the Super Bowl. The size of Eurovision is massive, so we’re doing our part to expose the industry to some of that.”

While they would not reveal any specific names, Renzer said there would be “senior executives from Warner Music Group and Sony on the Israel trip.”

“Executives are looking for talent wherever it can be found,” Ingel said, “and them being able to see these artists live is a huge opportunity for the artists, and I think it’s going to expose American executives to the type of music there is throughout Europe, because a lot of the countries – like Lithuania and Bulgaria and Ukraine and these smaller countries in Eastern Europe – don’t have much access to the American music industry.”

As for Laroussi, she’ll be watching the contest as she does every year.

“I’ll actually be watching with my Israeli friends this year,” she said.

And yes, she’ll be rooting for the Netherlands.

“Their song is really, really good,” she said. “I think they have a real chance of winning this year.” 

Original Article

By: Andrew Trendell, NME

“Building bridges through music and the arts as a means to achieving greater understanding and peace in the region”

Stephen Fry, Sharon Osbourne, Scooter Braun and KISS’ Gene Simmons are among the names leading a letter speaking out against a suggested boycott of the upcoming Eurovision Song Contest in Israel.

Set to take place in Tel Aviv in May with Madonna confirmed to perform, the annual competition has sparked much controversy due to its location.  Earlier this year, Vivienne Westwood, Wolf Alice and Peter Gabriel were among the signatories of an open letter calling for the BBC to boycott the contest in solidarity with Palestine – arguing that taking part would be “a dubious honour” for “any artist of conscience”.

The Boycott, Divestment, Sanctions (BDS) movement argue that Israel is “shamelessly using Eurovision as part of its official Brand Israel strategy, which presents ‘Israel’s prettier face’ to whitewash and distract attention from its war crimes against Palestinians.”

Now, over 100 public figures including music mogul Scooter Braun, Stephen Fry, rock veteran Gene Simmons, comedian Al Murray and Countdown co-presenter Rachel Riley have signed a letter arguing against a boycott, claiming that it would only work against the show’s “spirit of togetherness” and ultimately “subverting the spirit of the contest and turning it from a tool of unity into a weapon of division”.

“We believe the cultural boycott movement is an affront to both Palestinians and Israelis who are working to advance peace through compromise, exchange, and mutual recognition,” the letter continued. “While we all may have differing opinions on the Israeli-Palestinian conflict and the best path to peace, we all agree that a cultural boycott is not the answer.”

The letter was shared by Creative Community for Peace (CCFP). CCFP director Ari Ingel added: “The members of the entertainment industry who have signed this statement, along with the thousands of individuals who have endorsed its message, all believe in building bridges through music and the arts as a means to achieving greater understanding and peace in the region.”Volume 0% 

Speaking against the BBC supporting and broadcasting the event from Israel, an open letter from artists published earlier this year read: “Eurovision may be light entertainment, but it is not exempt from human rights considerations.” They added that any “claim to celebrate diversity and inclusion must ring hollow”.

“We cannot ignore Israel’s systematic violation of Palestinian human rights,” their letter reads. “The BBC is bound by its charter to ‘champion freedom of expression’. It should act on its principles and press for Eurovision to be relocated to a country where crimes against that freedom are not being committed.”

Responding, the BBC denied that Eurovision had any political associations.

“The competition has always supported the values of friendship, inclusion, tolerance and diversity and we do not believe it would be appropriate to use the BBC’s participation for political reasons,” the broadcaster said. “Because of this, we will be taking part in this year’s event. The host country is determined by the rules of the competition, not the BBC.”

Lorde was scheduled to play Tel Aviv in June last year but cancelled the concert in December 2017 in the face of overwhelming pressure. Lana Del Rey also recently pulled out of Israel’s Meteor festival following controversy about her appearance.

Nick Cave, however, went on to play two shows in Israel despite opposition. In sharing a lengthy letter he sent to Brian Eno, the Bad Seeds frontman stated that he had “received a number of messages broadly relating to this issue”. Cave said that Eno had “emailed me in the hope of persuading me to reconsider [the shows]” after they were announced.

Within the message to Eno, Cave labelled the boycott as “cowardly and shameful”, while defending his decision to perform in Israel as a “principled stand against those who wish to bully, shame and silence musicians”.

Nick Cave

“I do not support the current government in Israel,” Cave said, “yet I do not accept that my decision to play in the country is any kind of tacit support for that government’s policies.” The singer added that he is “aware of the injustices suffered by the Palestinian population”, and hopes “that their suffering is ended via a comprehensive and just solution”.

Radiohead also played a show in Israel in 2017 despite opposition. “Music, art and academia is about crossing borders not building them, about open minds not closes ones, about shared humanity, dialogue and freedom of expression,” said frontman Thom Yorke of their reasoning.

The first run of semi-finals for Eurovision 2019 begin on Tuesday, May 14, before the final takes place on Saturday, May 18.

Original Article

By: Malina Saval, Variety

As Tel Aviv gears up for the upcoming Eurovision Song Contest, taking place in the coastal Israeli city May 14 through 18, the entertainment industry non-profit Creative Community For Peace (CCFP) has released a statement in support of the internationally-attended and globally-televised event, which promotes musical acts from all over the world.

The statement, signed by over 100 entertainment executives and personalities — among them: “The Talk” host Sharon Osborne, KISS’ Gene Simmons, music attorney Donald S. Passman, Justin Bieber and Ariana Grande managers Scooter Braun and Allison Kaye, Propagate Content chief Ben Silverman and WME co-founder and head of television Rick Rosen — comes in response to efforts by the Boycott, Divestment and Sanctions (BDS) movement, which includes vocal supporters like Roger Waters of Pink Floyd fame.

(Pictured below: Protesters outside London’s BBC demonstrate against the 2019 Eurovision Song Contest being held in Israel.)

“This year, approximately 200 million people will watch, visit and take part in the Eurovision song contest, celebrating music and the diversity of our different cultures,” said Ari Ingel, Director of CCFP. “The members of the entertainment industry who have signed this statement, along with the thousands of individuals who have endorsed its message, all believe in building bridges through music and the arts as a means to achieving greater understanding and peace in the region.”

Nearly 15,000 people from around the world signed a similar statement on Change.org, asserting that a cultural boycott of Eurovision does not work to advance peace between Israelis and Palestinians. Additionally, the BBC released its own statement supporting the Eurovision Song Contest in Israel this year for its embodiment of the “values of friendship, inclusion, tolerance, and diversity.”

Israel won last year’s Eurovision contest held in Lisbon, Portugal with the song “Toy” by Netta Barzila. The quirky electronic tune, which features English lyrics and a scat-like vocal, claimed the country’s fourth victory in as many decades. Barzila, a singer who won the TV show “Hakokhav Haba,” Israel’s version of “American Idol” format, completed her mandatory military service in the navy band, called Nahal, and was accompanied by a military band during her performance in the grand finale.

It was Israel’s fourth time winning Eurovision after previous victories in 1978 and 1979, and in 1998 with trans performer Dana International.

Original Article

By: Laura Snapes, The Guardian

Public figures including Stephen Fry, Sharon Osbourne, Marina Abramovićand pop mogul Scooter Braun have signed a letter speaking out against a proposed boycott of this year’s Eurovision song contest, which is to be held in Tel Aviv in May.

Their letter states that Eurovision’s “spirit of togetherness” across the continent is “under attack by those calling to boycott Eurovision 2019 because it is being held in Israel, subverting the spirit of the contest and turning it from a tool of unity into a weapon of division”.

It continues: “We believe the cultural boycott movement is an affront to both Palestinians and Israelis who are working to advance peace through compromise, exchange, and mutual recognition. While we all may have differing opinions on the Israeli-Palestinian conflict and the best path to peace, we all agree that a cultural boycott is not the answer.”

Non-profit organisation Creative Community for Peace (CCFP) are behind the letter, which has more than 100 signatories. Also among them are Gene Simmons of the band Kiss, comedian Al Murray, Countdown co-presenter Rachel Riley and Spanish singer/songwriter Conchita, AKA Maria Concepción Mendívil.

Ari Ingel, director of CCFP, said: “The members of the entertainment industry who have signed this statement, along with the thousands of individuals who have endorsed its message, all believe in building bridges through music and the arts as a means to achieving greater understanding and peace in the region.”

Their letter comes in response to widespread calls for participating artists and broadcast partners to boycott the contest. The Boycott, Divestment, Sanctions (BDS) movement has claimed that Israel is “shamelessly using Eurovision as part of its official Brand Israel strategy, which presents ‘Israel’s prettier face’ to whitewash and distract attention from its war crimes against Palestinians.”

In January 2019, British figures including Vivienne Westwood, Peter Gabriel, Roger Waters, Mike Leigh, Julie Christie, Maxine Peake, Caryl Churchill and the band Wolf Alice signed a letter calling on the BBC to cancel coverage of the 2019 song contest.

The signatories criticised Israel over its occupation of Palestinian territories. “Eurovision may be light entertainment, but it is not exempt from human rights considerations – and we cannot ignore Israel’s systematic violation of Palestinian human rights.”

In response, the BBC underlined its commitment to airing the event: “The Eurovision song contest is not a political event and does not endorse any political message or campaign. The competition has always supported the values of friendship, inclusion, tolerance and diversity and we do not believe it would be appropriate to use the BBC’s participation for political reasons. Because of this we will be taking part in this year’s event. The host country is determined by the rules of the competition, not the BBC.”

Roger Waters has urged Madonna to pull her planned performance at the event. She has not responded. In September 2018, he also wrote an open letter to the 41 finalists asking them to stand “shoulder to shoulder” with the Palestinian people. Thus far, no competing nation has rescinded their participation owing to the competition’s location. In February, Ukraine pulled out after its competitor selection process became entangled in political tensions with Russia.

The contest is being held in Israel following the country’s win in 2018, for pop singer Netta Barzilai’s track Toy. Israeli prime minister Benjamin Netanyahu had wanted the contest to be staged in Jerusalem, but the nationality of the city is disputed, with Palestinians claiming an Israeli-occupied area as a potential future capital city. Instead, Tel Aviv will host the contest, which is scheduled for 18 May. Michael Rice, 21, will represent the UK.

• This article was amended on 30 April 2019. An earlier version said the former Eurovision winner Conchita Wurst had signed the letter. It is in fact the Spanish singer/songwriter Conchita, AKA Maria Concepción Mendívil. This has been corrected.

Original Article

By: Ben Beaumont-Thomas, The Guardian

Nick Cave has elaborated on his stance regarding the Israel-Palestine conflict, calling the cultural boycott of Israel “cowardly and shameful”.

Cave played a pair of concerts in Tel Aviv in November 2017 with his band the Bad Seeds, and received criticism from artists who oppose Israel’s occupation of Palestinian territories and refuse to perform in the country. Writing on his website in an answer to a question from a fan, Cave posted an email he had sent to Brian Eno, one of the artists promoting the boycott.

“I do not support the current government in Israel, yet do not accept that my decision to play in the country is any kind of tacit support for that government’s policies,” Cave wrote, adding that he supported the Palestinian cause and that Palestinian suffering “is ended via a comprehensive and just solution, one that involves enormous political will on both sides”. He also highlighted his own charity work that raised £150,000 for the pro-Palestine Hoping Foundation.

He also said the boycott “is partly the reason I am playing Israel – not as support for any particular political entity but as a principled stand against those who wish to bully, shame and silence musicians”, and that the boycott “risks further entrenching positions in Israel in opposition to those you support”.

Artists opposing him should “go to Israel and tell the press and the Israeli people how you feel about their current regime,” he said, “then do a concert on the understanding that the purpose of your music was to speak to the Israeli people’s better angels … Perhaps the Israelis would respond in a wholly different way than they would to just yet more age-old rejectionism.”

Cave added a note saying Eno was his hero, responsible for “some of the most important and essential recordings I have ever heard. So, if there seems to be a thread of anguish that runs through this letter, this is indeed the case.” But he reiterated that Eno was “weaponising” music, adding: “What has brought us to the point where certain musicians feel it is ethically sound to use forms of coercion and intimidation, in the form of ‘open’ letters, on fellow musicians who don’t agree with their point of view? … I simply could not treat my Israeli fans with the necessary contempt to do Brian Eno’s bidding.”

Eno had previously said: “This has nothing to do with ‘silencing’ artists – a charge I find rather grating when used in a context where a few million people are permanently and grotesquely silenced … Israel has consistently – and lavishly – used cultural exchange as a form of ‘hasbara’ [propaganda] to improve the image of the country abroad, and to ‘show Israel’s prettier face’, in the words of a foreign ministry official. The BDS [boycott, divestment and sanctions] campaign is simply asking artists not to be part of that propaganda campaign.”

Cave’s stance is one shared by Thom Yorke of Radiohead, who defended performing in Israel by saying “playing in a country isn’t the same as endorsing its government”. Other musicians have recently pulled out of concerts following discussions about the boycott and Israel-Palestine conflict. Lorde cancelled a Tel Aviv concert scheduled for June this year, after “speaking [with] many people about this and considering all options”. Fellow pop singer Lana Del Rey defended a planned concert, saying she would perform “with a loving energy with a thematic emphasis on peace”, but later cancelled after not being able to also book a similar Palestinian concert at short notice.

Original Article

BY ARI INGEL, The Jerusalem Post

It was disturbing to see Roger Waters once again publicly denounce and vilify a band that was booked to play a show in Israel. His recent Facebook post also contained his usual lies about the State of Israel.

His latest target was a cover band called The UK Pink Floyd Experience, who has previously performed in Israel. Waters unleashed a social media assault against the group, calling their scheduled performance in Israel “an act of unconscionable malice and disrespect,” while stating that Israel was a “racist and apartheid” state that practices segregation. He also made the outrageous claim that Israeli citizens were “executing their neighbors’ children, shooting them down in cold blood every day.”

After The UK Pink Floyd Experience initially canceled their tour dates in Israel, Waters claimed victory, and implied that the group did so in solidarity with the Boycott, Divestment, and Sanctions (BDS) movement. The band’s lead singer, David Power, quickly shot down these assertions, stating that the band canceled their shows due to “the abuse and threats they were receiving” as a result of Waters’s initial Facebook post. Power stated that he does not support the BDS movement. The band has since reversed its decision and will perform in Israel in January.

This episode is reminiscent of another incident earlier this year when these same tactics of inciting hate were used against the Argentinian national football team, who canceled a friendly football match in Israel after members of the BDS movement threatened them with violence.

Roger Waters and other boycott activists frequently use inflammatory and inaccurate terms such as “apartheid” and “segregation” to describe Israel, misleading people about the current situation and denigrating the true meaning of those terms. Instead of helping to bring about peace, such inflammatory and patently false statements only work to increase divisions and stoke hatred.

With over 1.7 million Arab citizens of Israel, who account for nearly 20% of the population, Israel has never practiced racial segregation. It is the only real democracy in the Middle East, where Arabs sit in parliament and on the Supreme Court; while over 22% of the student body of the Technion, Israel’s version of MIT, are Arab students. Israel also has progressive laws when it comes to free speech, freedoms of the press, as well as LGBTQ rights.

Similarly, after a tour stop in Munich earlier this year where Waters espoused his views on Israel that included flying a pig with the Star of David on it, Munich Mayor, Dieter Reiter, slammed Waters, for stoking antisemitism. Reiter stated that Waters “is responsible for growing, intolerable antisemitic statements” that is couched in the form of BDS. He went on to add that the “antisemitic propaganda of Roger Waters is neither welcome in Munich nor will it remain unanswered.”

The mayors of Munich, Berlin, and Frankfurt have stated that the language coming out of the BDS community is reminiscent of the language used by the Nazis. All three cities have recently passed anti-BDS legislation denouncing hate-filled speech.

Unabashedly, the BDS movement’s goal is the defamation, delegitimization and eventual elimination of the State of Israel, as stated openly by the group’s founder and leader, Omar Barghouti. He has repeatedly said that he does not support the idea of a two-state solution and opposes a Jewish state in any part of Palestine. He considers Palestine to be comprised of Israel, the West Bank, and the Gaza Strip.

Another deceptive tactic used by the BDS movement is their “anti-normalization” policy that seeks to prevent any interaction between Arabs and Israelis. Under this policy, even if an artist wants to play a show in both Israel and the West Bank, the BDS movement will not allow a Palestinian venue to host any act that also performs in Israel. Recently, the BDS movement demanded that the EU cancel a program that was to bring young Israelis and Palestinians together under the pretext that the event promotes normalization between the two peoples.

These lies and bullying tactics need to end. We all hope that a peaceful resolution to the Israeli-Palestinian conflict is found soon and we believe that the arts and artists can be part of that solution. Music brings people together, and change comes through engagement, not cultural boycotts and silencing artistic expression.

Original Article