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Don’t Give BDS Undue Credit

Don’t Give BDS Undue Credit

By: Nick Lieber – Editorial Associate and Analyst, Creative Community For Peace

Extra SPACE

Pharrell Williams has canceled his show in Israel. That much is clear.

It is also clear that Pharrell, like virtually every international artist who has scheduled a performance in Israel, received pressure from supporters of the Boycott, Divestment, and Sanctions (BDS) campaign. BDS activists use social media, petitions, open letters in the press, personal visits and confrontations, and sometimes even threats in an attempt to convince artists to boycott Israel and cancel their shows.

As overwhelming as this pressure can undoubtedly be, it has not stopped Bon Jovi, Mariah Carey, Kanye West, Rihanna, Lady Gaga, Alicia Keys, Justin Timberlake, the Rolling Stones, Suzanne Vega, Dionne Warwick, the Backstreet Boys, Robbie Williams, Cyndi Lauper, Alan Parsons, or many hundreds of others from performing in Israel. And there’s no evidence that it stopped Pharrell either. In fact, Pharrell seemed quite excited about his upcoming concert. 

There were conflicting reasons given by his representatives, who said the cancellation was due to scheduling issues, and Israeli music industry sources, who cited low ticket sales. What wasn’t cited by anyone involved in booking Pharrell’s performance in Israel? BDS. There is nothing that demonstrates a causative relationship between BDS pressure and the decision to cancel Pharrell’s show.

PharrellYet this lack of evidence has not prevented BDS activists from claiming and/or implying that their pressure was the cause of Pharrell’s cancellation  — as seen in the example above. Sadly, this is nothing new. When concerts are canceled in Israel, no matter the stated reason, BDS proponents are quick to turn them into false victories. Even more sadly, others – on both sides of the divide – are often inclined to follow suit.

It happened with Donovan, Henry Rollins, Primus, and, most famously, Santana. Each canceled a show in Israel for reasons completely unrelated to politics and the call to boycott. Each cancellation was quickly made political by BDS supporters and opponents on social media and in the press. (Strangely, despite the fact that Santana has scheduled a new show in Israel for later this month, clearly demonstrating that his 2010 cancellation had nothing to do with BDS, he is still inexplicably regarded as a victory by BDS supporters.)

Missing from these often hysterical conversations surrounding cancellations in Israel is the fact that concerts are canceled relatively often, all over the world, for the most mundane of reasons.

Just over the past week, cancellations were announced for a Public Enemy show in Orlando, Florida (“unforeseen circumstances”), an Aretha Franklin concert in Bethel Woods, New York (no reason given), and two of Ellie Goulding’s shows in Perth and Adelaide, Australia (“unforeseen scheduling conflicts”).  

This isn’t the first show Pharrell has had to cancel. In 2014, he canceled concerts in Portugal and Spain due to “scheduling difficulties.” Last month, it was reported that he canceled a July show in Glasgow, Scotland, though the singer himself denied any show had been scheduled in the first place.

It happens. Musicians get sick. Family issues arise. Logistical mistakes are made. Agents and promoters fight. Tickets don’t sell. There’s nothing to do about it – some concerts will simply be canceled.

Only in Israel are such routine cancellations so often turned into political issues.

For proponents of BDS, this is expected. Out of the hundreds of musicians that book shows in Israel every year, they influence very few to cancel. As executives and artists become knowledgeable about the goals and tactics of the BDS movement, most artists are choosing to continue with their planned performances in the Holy Land and standing up for freedom of artistic expression. Supporters of the cultural boycott of Israel have been so unsuccessful at persuading or pressuring musicians to boycott Israel that they’re desperate to claim any victory they possibly can.

BDS’s true success has been at influencing the conversation. At convincing even opponents of the cultural boycott that all cancellations must have something to do with politics. At getting news outlets to mention BDS in articles about cancellations that have no connection to BDS at all, spreading their inflammatory message and politicizing art – to their gain and to the detriment of peace.

Anybody who opposes the BDS movement, who believes in bridges rather than boycotts, must categorically reject any and all efforts to hijack the voices of artists, to misrepresent their views and their intentions. If there’s no evidence that a cancellation was due to political pressure, we mustn’t assume that it was.

Otherwise, we are giving the boycott movement undue credit and handing them a victory they have not earned, dealing a devastating blow to truth and artistic freedom.

Creative Community for Peace (CCFPeace) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel. We may not all share the same politics or the same opinion on the best path to peace between Palestinians and Israelis. But we do agree that singling out Israel as a target of cultural boycotts will not further peace.

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CCFP Condemns Harassment, Hate & Initimidation

Creative Community for Peace Condemns Harassment, Hate and Intimidation vs Freedom of Expression at UC Irvine Campus Event

May 23, 2016 – Los Angeles, CA – We at Creative Community For Peace (CCFP) were disturbed to learn that students were forcibly prevented from screening an Israeli film at UC Irvine recently. Approximately 50 protesters attempted to force their way into the event with the goal of shutting it down, leading university police to escort attendees away for their safety.

The radical organization which caused the disruption, Students for Justice in Palestine (SJP), claims to “work to provide a comfortable environment where students and faculty can discuss and debate their diverse views on the various aspects of Palestinian politics and society.”  But blocking students who wish to see a film being shown on campus seems, at best, hypocritical –  if they are indeed open to “debate and diverse views.”

We strongly agree with UCI Chancellor Howard Gillman, who, responding to the incident, said, “We must shelter everyone’s right to speak freely – without fear or intimidation – and allow events to proceed without disruption and potential danger,” according to an article in the Orange County Register on May 20th,  (linked above).

Film is a fantastic medium for exposing ourselves to new and challenging ideas. Though we may strongly disagree with those ideas, we are nevertheless enriched by grappling with them. Universities, in particular, are meant to be bastions of open intellectual inquiry.

“We are profoundly disappointed that the students at UC Irvine chose intimidation over illumination,” said David Renzer, chairman of Spirit Music Group and CCFP co-founder.

Supporting freedom of expression does not mean suppressing someone else’s ability to do so, nor creating an environment of fear and intimidation.  College campuses should be safe spaces for all students.

Creative Community For Peace (CCFP) is an entertainment industry organization that represents a cross-section of the creative world dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel. We may not all share the same politics or the same opinion on the best path to peace between Palestinians and Israelis. But we do agree that singling out Israel as a target of cultural boycotts will not further peace.

We understand the power that our music, our films, our television shows, and all arts have. Art and culture create civilizations and are essential ingredients in the human journey, critical to the wellbeing of society, to build trust and understanding, and to healing. We encourage artists to participate, rather than shun, to express rather than suppress. If anything, turn up the music, expose our art to wider audiences, and encourage people from all cultures to interact, communicate and inspire peace and understanding. www.creativecommunityforpeace.com

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CCFP Promo Video

SANTANA CONFIRMS CONCERT IN ISRAEL 

DISPELS PRIOR RUMORS THAT 2010 CONCERT WAS CANCELED AS A RESULT OF BOYCOTT PRESSURE OR SUPPORT

Creative Community for Peace (CCFP) has confirmed that Carlos Santana will perform in Israel this summer on July 30 at Tel Aviv’s HaYarkon Park. In 2010, Santana had to cancel his scheduled performance and there were many reports citing boycott pressure as the reason. If the announcement of his upcoming concert is not reason enough to dispel the myth, Santana’s management company clarified in a statement – just released – that this was clearly not the case.
“Santana had scheduled date to perform in Israel in 2010. Due to circumstances beyond our control, we had to cancel that date along with others that we had planned to play. This was in no way cancelled because of any pressure we received from any anti-Israeli organization or any other organization for that matter. Carlos Santana is a citizen of the World and he plays his music and spreads his message of Love, Light & Peace wherever he goes. Carlos believes the World should have no borders so he is not detoured or discouraged to play anywhere on this planet. We look forward to performing in Israel this summer.” -Michael Vrionis, President of Universal Tone Management
Santana’s concert is hardly the only false claim of victory made by boycott supporters. In fact, nearly every concert cancelation in Israel, even if done for the most mundane reason, is put in political terms and used for political goals. Just this year, Henry Rollins’ cancelation was claimed as a victory by boycott supporters, despite the fact that his cancellation was simply due to a conflict with the promoter. Last year, Primus canceled its Israel show due to technical issues, but again it was cited as a boycott victory.
Creative Community for Peace thanks Santana – and all artists scheduled to perform in Israel this year – for standing up for artistic freedom. David Renzer, co-founder of CCFP, shared, “We very much appreciate the clarifying statement from Santana’s management. Unfortunately, there are a variety of instances where boycott Israel groups claim an artist is boycotting, only to have the artist later clarify that this was untrue. Further, we believe that singling out Israel for a cultural boycott will only shut the doors of communication, hinder efforts to resolve the conflict, and fan the flames of extremism.”
Creative Community for Peace is an entertainment industry organization focused on supporting artistic freedom, countering the cultural boycott of Israel, providing balance to the dialogue regarding the Middle East, and encouraging the arts as a bridge towards peace.

Interview with Suzanne Vega

Suzanne Vega’s Israel ‘Horizon’

By: Jill Hoyt – Director, Creative Community For Peace
and Nick Lieber – Editorial Associate and Analyst, Creative Community For Peace

Extra SPACE

“I feel a kind of soulfulness from the people of Israel,” Singer-Songwriter Suzanne Vega said. “There is always a warm electricity in the air.”

Vega, the American folk performer, internationally known since her 1987 hit singles “Luka”and “Tom’s Diner,” recently performed in Tel Aviv in support of her eighth studio album, “Tales from the Realm of the Queen of Pentacles” as well as with the Israel Philharmonic Orchestra, marking her fifth time performing in Israel.

“I’ve always been warmly embraced in Israel, from the release of my first album,” Vega told Creative Community for Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace. “I came this time because I really wanted to play with the Israel Philharmonic Orchestra. I felt it was important for my growth as an artist.”

Vega faced substantial pressure on social media to cancel her June show from supporters of BDS movement, a political campaign seeking to isolate and delegitimize Israel by calling for a cultural boycott.

“I think the cultural boycott punishes people who make their living in the arts, both in Israel and [around the world],” Vega said. “If culture is the medium by which we have dialogue, boycotting cuts this off. It doesn’t add to it.”

Vega believes that a better approach is to perform in Israel and support organizations fostering dialogue in the region. “I think a group such as ‘A Crack In The Wall’ is a better idea,” Vega said, referring to the group whose aims is to create cracks in the proverbial walls separating the peoples of the region by enabling opportunities for dialogue. Vega believes music can be a vessel for such dialogue and understanding, and this comes through in her music. Vega has a song called “A Crack In the Wall” which she performed in Tel Aviv.

“I wanted to sing my song ‘Horizon’ in Israel,” Vega told CCFP, “as it’s a song about transcending your limitations and your conflicts through the ideal of love. I didn’t want to be bullied out of it.” The song was dedicated to and inspired by Vaclav Havel, the first president of the Czech Republic, who Vega got a chance to know before his death in 2011. Vega admired him for leading his country and its people to freedom in a peaceful way.

When asked about her connection to her audience in Israel, Vega said: “I make a distinction between the people and the politics,” she said. “How could I not? I come from America and believe me I have not always agreed with the policies of my own government. Yet I still choose to live there. These things must be worked through.”

Israeli musician Riff Cohen receives “big, huge hug” from Turkish fans

Israeli musician Riff Cohen receives “big, huge hug” from Turkish fans

By: Nick Lieber – Editorial Associate and Analyst, Creative Community For Peace

Extra SPACE

It’s no secret that Israel and Turkey aren’t exactly friends right now. After several years of rising tensions, relations are as bad as they’ve ever been between the two countries. But according to Israeli musician Riff Cohen, there’s no indication of this in the music scene.

“When I went [to Turkey] I felt such a big, huge hug,” Riff told Creative Community For Peace (CCFP), an organization representing prominent members of the entertainment industry dedicated to promoting the arts as a means to peace and to countering the cultural boycott of Israel.

Riff is well known for her musical fusion, blending together modern and traditional elements to make unique and fascinating sounds. With familial roots in France and North Africa, she sings in French, Hebrew, and Arabic, putting her mother’s poetry to her music.

This mashing together of modernity and tradition, of different cultures and languages, is something Riff believes people in the region can’t help but understand. It’s something the various peoples in the region have in common. But she didn’t fully realize that until she performed in Turkey.

“When I went to Turkey the first time, it helped me understand Israel much better. There are so many common things. It’s nothing about Judaism…just the fact that we are in the Middle East.”

It’s not just that people are loud (“[Before] I had even gotten on stage, people screamed like crazy,” Riff said), or brusque, or any other stereotype commonly applied to Middle Easterners, but that the different peoples in the region are split between the influence of the modern world and their ancient religions and cultures. Some might say these things are incompatible, like the elements of Riff’s music.

“I feel that they’re like my cultural brothers,” she said of the Turks. “I feel they really understand my musical style, of mixing things together that can’t go together.”

Demonstrating the great ability of music to transcend borders and politics, there were even fans from Iran who traveled to Turkey to attend Riff’s show. And yet, nobody said a word about politics, she said. “Even the interviews were really respectful and very artistic. Nothing about politics.”

Her song “Dans Mon Quartier” was a #1 song in Turkey and, despite being released years ago is still at #11.

CCFP Exclusive Interview with K’s Choice

“Music is communication on an emotional level… it supersedes [anything] political or what makes us different. It actually highlights what makes us the same.”

CCFP sat down for an exclusive interview with Sarah Bettens and Gert Bettens of the Belgian rock band K’s Choice right before their two sold-out shows in Tel Aviv to discuss the importance of music, artistic censorship and their strong Israeli fan base. Watch the interview below.

Bridges, Not Boycotts

Bridges, Not Boycotts

By CCFP Staff

Singer Pharrell Williams is expected to face protests and boycotts of his shows in South Africa. Why? Because of his partnership with Woolworth’s, a retailer which imports 0.1% of its produce from Israel. People have threatened to block off roads to the concerts or even occupy the venues to prevent Pharrell from being heard.

While these tactics may sound extreme, they are merely the tip of the iceberg for supporters of BDS (Boycott, Divestment, and Sanctions), a political campaign seeking to isolate Israel, and only Israel, in the diplomatic, economic, academic, and cultural spheres.

International artists who book shows in Israel face almost daily harassment from cultural boycott supporters, and sometimes, as in the case of Eric Burdon, Paul McCartney, and Salif Keita, to name a few, actual threats of physical violence. Israeli artists abroad face protests and intimidation. Last year, when the Israeli film “Dancing in Jaffa,” a wonderful film about Jewish-Arab coexistence through dance, was screened in France, protesters entered the venue, screamed anti-Israel slogans, and threw stink bombs on stage.

All of this can be described with one simple and terrible word: Censorship. There is no other way to put it. Using harassment, threats, and intimidation to silence artists and/or force them to adopt a certain political outlook is artistic censorship.

Last year in the Islamic Republic of Iran, seven young people were arrested and sentenced to jail time and lashes for making a video of Pharrell’s song “Happy” in Tehran. They were punished because their actions did not conform to the ideology of the government.

Will Pharrell be prevented from singing “Happy” in the Republic of South Africa because his actions do not conform to the ideology of BDS? We in the free world must insist that art and artists never be beholden to a political agenda.

Art is a powerful force that can inspire and unite. It is our shared human language and rises above politics in ways that little else can. It helps us to understand and empathize with one another, overcoming biases and misconceptions, laying tiny bricks on the path to peace. The world needs more cultural bridges, not cultural boycotts.

Suzanne Vega’s Israel “Horizon”

“I feel a kind of soulfulness from the people of Israel,” Singer-Songwriter Suzanne Vega said. “There is always a warm electricity in the air.”

Vega, the American folk performer, internationally known since her 1987 hit singles “Luka” and “Tom’s Diner,” recently performed in Tel Aviv in support of her eighth studio album, “Tales from the Realm of the Queen of Pentacles” as well as with the Israel Philharmonic Orchestra, marking her fifth time performing in Israel.

“I’ve always been warmly embraced in Israel, from the release of my first album,” Vega told Creative Community for Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace. “I came this time because I really wanted to play with the Israel Philharmonic Orchestra. I felt it was important for my growth as an artist.”

Vega faced substantial pressure on social media to cancel her June show from supporters of BDS movement, a political campaign seeking to isolate and delegitimize Israel by calling for a cultural boycott.

“I think the cultural boycott punishes people who make their living in the arts, both in Israel and [around the world],” Vega said. “If culture is the medium by which we have dialogue, boycotting cuts this off. It doesn’t add to it.”

Vega believes that a better approach is to perform in Israel and support organizations fostering dialogue in the region. “I think a group such as ‘A Crack In The Wall’ is a better idea,” Vega said, referring to the group whose aims is to create cracks in the proverbial walls separating the peoples of the region by enabling opportunities for dialogue. Vega believes music can be a vessel for such dialogue and understanding, and this comes through in her music. Vega has a song called “A Crack In the Wall” which she performed in Tel Aviv.

“I wanted to sing my song ‘Horizon’ in Israel,” Vega told CCFP, “as it’s a song about transcending your limitations and your conflicts through the ideal of love. I didn’t want to be bullied out of it.” The song was dedicated to and inspired by Vaclav Havel, the first president of the Czech Republic, who Vega got a chance to know before his death in 2011. Vega admired him for leading his country and its people to freedom in a peaceful way.

When asked about her connection to her audience in Israel, Vega said: “I make a distinction between the people and the politics,” she said. “How could I not? I come from America and believe me I have not always agreed with the policies of my own government. Yet I still choose to live there. These things must be worked through.”

Irish Dance Group’s Trip to Israel

Threatening Messages to Teachers, Parents and Students Force Cancellation of Irish Dance Group’s Trip to Israel 

By: Nick Lieber – Editorial Associate and Analyst, Creative Community For Peace

Extra SPACE

The first ever Irish dancing competition in Israel was meant to be held this coming August. When news broke, the organizers began receiving an onslaught of pressure from supporters of the cultural wing of the Boycott, Divestment, and Sanctions (BDS) campaign, a political movement which singles out Israel, and only Israel, as a nation to be boycotted by artists.

When an artist announces plans to perform in Israel, cultural boycott campaigners bombard them with open letters, petitions, and hundreds, sometimes thousands, of messages on social media in an effort to coerce them into canceling their performance. Their messages contain a type of dishonesty intended to trigger further hostility and dampen hope for rational discourse.
Responding to this pressure, the organizers issued a principled statement: “It is not about politics,” the Carey Irish Dance Academy wrote, “it is about bringing together people of different backgrounds, teaching them to respect each other no matter of their race, religion etc and thus create understanding, not drawing more lines in the sand. Irish dance, as well as any art form should not be limited to any particular group of people but available to anyone willing to learn.”

We at Creative Community For Peace (CCFP), an organization representing prominent members of the entertainment industry devoted to promoting the arts as a means to peace and to countering the cultural boycott of Israel, commend the spirit of this statement. Art should never be beholden to politics and artists must never allow themselves to be used by those seeking to advance a political agenda.

However, once the statement was released by the Carey Academy, pressure only intensified.

“Not long ago the feis [dance competition] page started to be attacked by a radical political group called Irish Palestine Solidarity Campaign (IPSC),” the Carey Academy wrote on Facebook, announcing the cancellation of the event. “Threatening messages were sent not only to our teachers, but also parents and students.”

Sadly, they are not the only ones to have been threatened by boycott supporters. Malian musician Salif Keita was forced to cancel his participation in the Jerusalem Festival of Sacred Music after receiving death threats. Macy Gray nearly canceled her show in Israel when she was told her life would be in jeopardy. English rocker Eric Burdon and Paul McCartney also reported receiving violent threats but chose to perform in Israel anyway.

We thank the Carey Academy for speaking out about the threats. The truth is, the cultural boycott campaign as a whole is a radical and discriminatory political movement diametrically opposed to peace. Their goal is not an end to conflict, it’s not to see a secure Israel next to a prosperous Palestine, but rather to see an end to the existence of Israel and Jewish self-determination, or, as Omar Barghouti, one of the founders of the cultural boycott campaign has said, “a Palestine next to a Palestine.”

Far more often than they should, boycott proponents succeed, hidden behind a veneer of justice and human rights, but in moments like this, their true colors shine through.

The Irish dance competition could have been a beautiful event, providing a space for the people of Ireland and Israel to learn about one another and to learn from one another. While we certainly appreciate that the safety of their dancers is their foremost concern, we hope the Carey Academy will see through the threat tactics, and reconsider their decision to cancel, and instead stand up for artistic freedom and against cultural boycotts.

First posted July 9, 2015 on the Times of Israel. 

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