An Oscar-worthy film should tell the full story. The Voice of Hind Rajab presents a one-sided and misrepresented account of a Palestinian child’s tragic death. Her life deserves dignity, and the truth of how she died matters. By omitting critical context, the film turns tragedy into political propaganda. That is unacceptable, and it should not be rewarded as serious, responsible filmmaking.
“Palestine 36” is an Oscar-shortlisted film about the 1936 Arab Revolt, but despite presenting itself as history, it is anything but.
The film erases the Jewish narrative, distorts land ownership, omits Arab violence, and invents British atrocities. Key figures like the Grand Mufti, who incited violence against Jews and later collaborated with the Nazis, are erased entirely.
This isn’t historical drama. It’s historical falsification and should not be taken seriously. Art can educate, but misrepresenting history to serve a one-sided political narrative is propaganda, not storytelling.
Former hostage Romi Gonen (24 yrs) has spoken publicly about the sexual abuse she endured while held captive in Gaza after the October 7 Hamas massacre.
She recounts being sexually assaulted multiple times in captivity, describing one assault that was carried out while her captor threatened her with a gun.
During the rape, she said she was paralyzed with fear.
SHAMEFULLY, PROMINENT HOLLYWOOD VOICES CLAIM ITS ALL LIES
Despite survivor testimony and documented reporting, influential public figures have continued to question, dismiss, or mock reports of rape during and following October 7th.
Among those who amplified these denials include:
This rape denial was broadcast to their millions of followers.
BELIEVE & SPEAK UP FOR WOMEN… UNLESS THEY’RE JEWISH?
The same cultural voices who demanded we must believe women, suddenly did a 180 when it came to Jewish women.
Evidence was dismissed. Testimony was interrogated. The victims were berated and harassed.
Just as bad, most of these so-called “celebrities fighting for social justice” just went silent.
The anti-Israel celebrities in Hollywood are shameful.
Thank you Romi Gonen for your brave testimony. We believe you.
Artists Boycotting Eurovision Invoke Fraudulent UN “Genocide” Claim: A manufactured UN report is being used to justify boycott calls by performers and past winners of the Contest.
Who Is Calling for a Boycott and Why
Some artists say they will disassociate themselves from the upcoming Eurovision Song Contest unless Israel is dropped for committing “genocide.”
2024’s winner, Swiss singer Nemo, says he will return his trophy, while 17 singers competing in Portugal’s national selection show have threatened to boycott if selected.
They all cite the same source as their evidence: a fraudulent report put out by the biased UN Commission of Inquiry (COI).
The UN Report Is Nonsense
Why Their Genocide Charge Fails
Genocide requires “specific intent” to destroy a people, the highest standards of mens rea in all of criminal law.
Here’s why it’s considered so demanding:
Specific intent is even above knowledge; you can know that something will happen and still not meet specific intent unless that outcome is your goal.
This is a higher mental burden than crimes against humanity, which only require knowledge that acts are part of a widespread or systematic attack.
Why Israel’s Actions Clearly Don’t Meet This Standard
Israel’s stated war aim targeted Hamas — not the Palestinian people.
From the outset, Israel’s declared objective has been to dismantle Hamas’s military capacity in the wake of the October 7th massacre.
That was a legal military aim against an organized armed group, not an aim to destroy a protected civilian group, despite how out of context the anti-Israel movement took quotes from various Israeli leaders.
The report also downplays:
Artists Have Responsibility to Spread Truth
The UN COI claim is not a legal finding; it is an activist report issued by a body with a documented record of bias. Citing it to justify an insidious boycott promotes an unsubstantiated accusation with real-world consequences—it amounts to a modern blood libel.
When artists repeat the term “genocide” without understanding either the legal standard or the credibility of the source, they amplify misinformation rather than truth.
